Fifty years ago, commercial filmmaker George Romero marshaled the resources of his production company Latent Image and the talents of friends and colleagues to produce a low budget feature film in Pittsburgh, PA. The rest is, as they say, history. Night of the Living Dead (1968) is the first genuinely modern horror movie, shot more […]
The Party (1968) reunited Blake Edwards and Peter Sellers after a falling out during the second Pink Panther movie for a different kind of comedy: a modern sound version of a silent movie comedy. They don’t pretend it’s a silent film, mind you, but rather build a series of visual gags on a basic premise—Peter […]
Best of Enemies (2015) carries the subtitle “Buckley vs. Vidal” and it is indeed a portrait of a rivalry, one that was presented on prime time network television at a time when there were three networks and TV news strived to be fair and balanced to a fault. In 1968, William F. Buckley was the […]
“I will not be pushed, filed, stamped, indexed, briefed, debriefed, or numbered. I am my own man.” There are those who proclaim The Prisoner: Complete Series (1968), Patrick McGoohan’s cerebral spy show and portrait of personal freedom as an existential prison, the greatest TV show of all time. I won’t argue the point. His insidiously […]
Christopher Lee, long the house villain of the horror films from England’s Hammer Films, takes a rare heroic turn in The Devil’s Bride (1968), also known in the U.S as The Devil Rides Out. Lee plays scholar and occultist Duc de Richleau, the kind of role that Peter Cushing had made his métier, as a […]
Barbarella (1968), a campy psychedelic romp produced by Italian Dino de Laurentiis, directed by French eroticist Roger Vadim, adapted from a risqué French comic strip by American satirist Terry Southern, and featuring an international cast, was Buck Rogers reworked as a sex kitten in space for the 1960s culture of free love and pop art. […]
