Jane Fonda’s call girl Bree Daniels is with a client, panting and screaming in his ear while he sweats and pumps away, but it’s just an act: her face is all business as she checks her watch without skipping a moan. Klute (1971), Alan Pakula’s stark, alienated neo-noir, is best remembered for Jane Fonda’s Oscar-winning […]
McCabe & Mrs. Miller (1971), Robert Altman’s third film since staking out his claim on 1970s cinema with M*A*S*H (1970), turns the western myth into a metaphor for the fantasy of the American Dream colliding with the power of big business. Warren Beatty is John McCabe, a drifting gambler who rides into the mining camp […]
A Touch of Zen (Taiwan, 1971), King Hu’s romantic chivalry adventure, is a masterpiece of Chinese cinema, a magnificent epic with grand battles fought with the grace of a ballet with swords, and the most significant cinematic inspiration for Ang Lee’s Crouching Tiger, Hidden Dragon. The three-hour film took the uniquely Chinese genre of wuxia […]
The Cat O’Nine Tails (Italy, 1971), Dario Argento’s second feature, follows up his directorial debut The Bird With the Crystal Plumage in genre, style and “animal” theme (stretched into a trilogy with Four Flies on Gray Velvet). In Bird, Argento explores, pushes at, and plays with the mechanics of suspense and murder mystery spectacle in […]
James Garner established himself as a natural for the comic western with the TV series Maverick, playing the reluctant hero who avoided conflict and gunplay with charm, wit, and a con-man’s knack for keeping his opponents off balance. The brought that sensibility to the big screen with Support Your Local Sheriff (1969), playing a drifter […]
“I know what you’re thinking. Did he fire six shots, or only five?” Clint Eastwood was a western icon for the fistful of spaghetti westerns and cynical American copycats. When he strapped on his .44 Magnum to stride the streets of San Francisco as Inspector Harry Callahan, known to the squad as “Dirty Harry,” Eastwood […]
The story of the last human in a world decimated by plague, The Omega Man (1971) is the second film based on Richard Matheson’s haunting novel I Am Legend. Charlton Heston stars as Robert Neville, the last man on Earth, or so he thinks. By day, he hunts and exterminates all the sun-shunning mutants he […]
Daughters of Darkness (Belgium, 1971) – “Every woman would sell her soul to stay so young,” remarks smarmy, troubled Stefan (John Karlen) to his newlywed wife Valerie (Danielle Ouimet). He’s referring to the impeccably poised Countess Bathory (Delphine Seyrig), who sweeps into the off-season luxury hotel they previously had all to themselves, elegant and ageless, […]
“I want to write The Maltese Falcon, record ‘Blue Suede Shoes’ and play Las Vegas.” So proclaims Eddie Ginley (Albert Finney), a small-time bingo caller and wannabe stand-up comic, to his therapist in the opening scene of Gumshoe (1971). But he’ll settle for running an ad in the local paper offering his services as a […]
Wake in Fright (1971), one of the seminal works of the New Australian cinema of the seventies, is a brutal, blackly funny thriller of an urban schoolteacher (Gary Bond) posted to the Australian Outback, which is a sun-blasted nightmare as far as he’s concerned. He can’t leave fast enough when his Christmas vacation arrives, but […]
