Rainer Werner Fassbinder adapted his own stage play for The Bitter Tears of Petra von Kant (Germany, 1972), a modern twist on The Women, the great all-woman Hollywood classic of sex and social conventions in high society. Margit Carstensen is successful fashion designer Petra von Kant, who lives alone in her stark apartment with Marlene […]
“It’s not personal. It’s strictly business.” Francis Ford Coppola’s adaptation of Mario Puzo’s bestseller remains the great American epic of the immigrant dream turned family business. Al Pacino stars as Michael Corleone, the clean-cut white sheep and patriotic soldier boy son of New York Godfather Vito Corleone (Marlon Brando in an Oscar–winning performance), and this […]
Death Walks at Midnight (Italy, 1972) is not actually a sequel to Death Walks on High Heels (1971) but in the proudly opportunistic tradition of Italian genre pictures it recalls an earlier success and director Luciano Ercoli he reunites his team of collaborators.This time around, Nieves Navarro (under the screen name Susan Scott) is a […]
Fernando di Leo was, in the estimation of genre-hound Quentin Tarantino, “the master” of the Italian crime movie, or the “poliziotteschi.” A violent action genre that picked up the escalating violence of American films like Dirty Harry and The French Connection, films where blood spattered and cops got their hands dirty, it was never as […]
The Red Queen Kills Seven Times (Italy, 1972) is the second of only two gialli made by Emilio P. Miraglia (the first, The Night Evelyn Came out of the Grave, is reviewed on Stream On Demand here). More indebted to the Gothic tradition in his brief engagement with the giallo, his two features are more […]
Your Vice Is a Locked Room and Only I Have the Key (Italy, 1972), directed by Sergio Martino and ostensibly inspired by Edgar Allan Poe’s “The Black Cat,” stars the voluptuous, dark-eyed beauty Edwige Fenech, the sex bomb of giallo, in what was (in the words of genre film historian Justin Harries) “Her finest and […]
The women in prison genre has never been so much fun as the Female Prisoner Scorpion series from Japan. Gonzo doesn’t begin to describe this mad mix of outrageous exploitation, flamboyant art movie, and energetic comic-book craziness. Meiko Kaji gives a near silent performance as Nami Matsushima, aka Scorpion, a woman framed for a crime […]
