Gary Sherman directs Death Line (aka Raw Meat) (1972), an underrated (and for years largely unseen) British horror film about the last survivor of a literal underground clan (trapped in a subway construction cave in a century before) who emerges from his cave to hunt for food on the London Underground. Yes, it’s a cannibal […]
Bernardo Bertolucci’s Last Tango in Paris (1972) was one of the most controversial films of the 1970s, rated X upon its original release for nudity and sexuality (since rerated NC-17). The drama of a widower who escapes his anguish and despair after his wife’s suicide in a purely physical relationship with a free-spirited young beauty […]
Billy Wilder was one of the great directors of classic American comedy. Avanti! (1972), based on the play by Samuel Taylor, is one of the director’s attempts to adapt his trademark mix of wit, romance, and sex to the more permissive era of the 1970s and one of the best films in the last act […]
Deliverance (1972), John Boorman’s harrowing adaptation of James Dickey’s novel, is as bracing and haunting now as it was when it first shook up audiences 35 years ago. Jon Voight stars as an urban family man whose weekend escape in a whitewater canoe trip with three friends down a soon-to-be-gone Appalachian river transforms from a […]
The Italian Connection (Italy, 1972), from Italy’s king of crime cinema Fernando di Leo, stars Mario Adani (the top dog thug of the Americano’s gang in di Leo’s earlier Caliber 9) as Luca, a remarkably affable and well-liked pimp whose popularity on the street makes the Milan boss nervous. So he frames Luca for a […]
Rainer Werner Fassbinder adapted his own stage play for The Bitter Tears of Petra von Kant (Germany, 1972), a modern twist on The Women, the great all-woman Hollywood classic of sex and social conventions in high society. Margit Carstensen is successful fashion designer Petra von Kant, who lives alone in her stark apartment with Marlene […]
“It’s not personal. It’s strictly business.” Francis Ford Coppola’s adaptation of Mario Puzo’s bestseller remains the great American epic of the immigrant dream turned family business. Al Pacino stars as Michael Corleone, the clean-cut white sheep and patriotic soldier boy son of New York Godfather Vito Corleone (Marlon Brando in an Oscar–winning performance), and this […]
Death Walks at Midnight (Italy, 1972) is not actually a sequel to Death Walks on High Heels (1971) but in the proudly opportunistic tradition of Italian genre pictures it recalls an earlier success and director Luciano Ercoli he reunites his team of collaborators.This time around, Nieves Navarro (under the screen name Susan Scott) is a […]
Fernando di Leo was, in the estimation of genre-hound Quentin Tarantino, “the master” of the Italian crime movie, or the “poliziotteschi.” A violent action genre that picked up the escalating violence of American films like Dirty Harry and The French Connection, films where blood spattered and cops got their hands dirty, it was never as […]
The Red Queen Kills Seven Times (Italy, 1972) is the second of only two gialli made by Emilio P. Miraglia (the first, The Night Evelyn Came out of the Grave, is reviewed on Stream On Demand here). More indebted to the Gothic tradition in his brief engagement with the giallo, his two features are more […]
