Ain’t Them Bodies Saints (2013), second feature from director / writer David Lowery, plays like the cinematic answer to an outlaw folk song. Rooney Mara and Casey Affleck play lovers Ruth and Bob, young adults who grew up fast under the watch of dubious father figure Skerrit (Keith Carradine) and ended up as small-time hold-up […]
Snowpiercer (2013), an international production from Korean filmmaker Bong Joon-ho and a French graphic novel, is a high-speed allegory speeding down the science fiction tracks of genre cinema. That’s the way I like this brand of filmmaking: with the symbols big, muscular, detailed, and punchy. You either give yourself over to the metaphor, in this […]
Matthew McConaughey is so good in Dallas Buyers Club (2013) that he shows up the limitations of this drama based on true events. McConaughey lost a lot weight to play Ron Woodroof, a Texas electrician and rodeo rider in the late 1980s whose reckless lifestyle leaves him with AIDS, a diagnosis this redneck homophobe denies […]
The Wolverine (2013) is both a sequel and a reboot of the solo spin-off from the X-Men movies. Hugh Jackman is back with the abs and the adamantium claws as Logan, the ferocious fan favorite of the team, and the screenwriters draw from the ninja storylines of earlier Wolverine comic books: the dark, brooding loner […]
Fast & Furious 6 (2013) was never meant to be an epitaph for Paul Walker, the lean, blue-eyed lead who, after a couple of misfire sequels, reunited with co-star Vin Diesel and helped steer the revived fuel-injected franchise into an international hit machine. But regardless of what happens with the seventh installment, which Walker was […]
Night Moves (2013), the fourth film that New York-based director Kelly Reichardt made in Oregon with screenwriter Jon Raymond, was her most commercial project to that time, though you won’t mistake this drama of eco-terrorists who blow a dam on a southern Oregon river for a Hollywood thriller. Reichardt and longtime screenwriting partner Jon Raymond […]
Fruitvale Station (2013) embraces simplicity to remind us of the human being behind the news story. 22-year-old Oscar Grant was killed in an unprovoked shooting by BART officers as a station stop on early New Year’s Day 2009. Ryan Coogler’s film accomplishes what so many films fail to do: put us in touch with the life […]
Knights of Badassdom (2013), a modest little horror comedy set in the fantasy gaming LARP (that’s Live Action Role Playing) culture, has a good time sending up its obsessive nerds and cosplay veterans gathered for a weekend championship of stage combat and mock-Shakespearean patter. Then it unleashes a succubus from hell on them. Actually it’s […]
Ip Man was the martial arts master who became a hero during World War II and a respected teacher who mentored, among others, Bruce Lee. And there’s been a cottage industry in Ip Man films in the last decade, most famously with Donnie Yen in the lead as the modest, unassuming master martial artist. The […]
The Wind Rises (Japan, 2013) is a very different kind of feature from Hayao Miyazaki, the beloved filmmaker and animation legend famed for his lush, ambitious, inventive fantasies and mythical adventures. It was a passion project for the director and he chose it as his fitting swan song, a final feature before retiring from filmmaking […]
