Paul Feig directs this tart little neo-noir of chirpy suburban warmth and optimism meeting cool sophistication covering cold-booded devisousness.
Tag: 2018
‘Ismael’s Ghosts’ – Life, art, and love on Amazon Prime
French filmmaker Arnaud Desplechin makes films about the messiness of families, lovers, and creative lives that can become quite messy in their telling. Ismael’s Ghosts (France, 2018) jumps abruptly back and forth in time and between biography and fiction and dreams, smudging the line between biography, fiction, and artistic imagination. Desplechin regular Mathieu Amalric is […]
‘Shoplifters’ – a family business on Hulu
“What defines a family?” is a question that runs through many of the films of Japan’s Hirokazu Kore-eda, from the heartbreaking abandoned children of Nobody Knows to the strained relations and recriminations of Still Walking to the loving embrace of Our Little Sister. Shoplifters (Japan, 2018) presents a family on the margins brought together by […]
‘Mirai’ – Oscar-nominated family fantasy on Netflix
A surprise Oscar nominee in the animated feature category, Mirai (Japan, 2018) is the sweet, imaginative tale of a four-year-old boy who becomes jealous of his newborn sister Mirai when she becomes the center of attention in the household while his parents grapple with new strains that the growing family puts on the household. Mother […]
‘Okko’s Inn’ – an orphaned girl finds purpose on Netflix
An orphaned girl finds purpose when she goes to live with her grandmother, the aging innkeeper of a small spa in a country vacation town known for the healing waters of its natural springs, in the lively animated feature Okko’s Inn (Japan, 2018). Okko, an urban girl who loses her parents in a devastating car […]
Jafar Panahi’s ‘3 Faces’ free on Kanopy
In 2010, Iranian filmmaker Jafar Panahi was arrested and charged for “Propaganda against the Iranian government.” His sentence: he was forbidden to leave Iran or make any films for 20 years. 3 Faces (Iran, 2018) is the fourth feature he has made since the sentence was passed. And once again Panahi plays himself on screen, […]