Big Eyes (2014) is Tim Burton’s second foray into strange but true stories of American termite art culture. Where Ed Wood was a valentine to artistic oddballs and eccentrics on the fringes told with an optimism that was certainly not mirrored in Wood’s real life, this is a story about the pain behind the façade of […]
Her (2013), the first film from Spike Jonze since his underrated take on Where the Wild Things Are, returns to the territory of his debut film Being John Malkovich but without the satirical edge. Like his fellow filmmakers and former collaborators Michael Gondry and screenwriter Charlie Kaufman, Jonze is narratively playful and challenging, but his […]
The smartest thing about Zach Snyder’s Batman v Superman: Dawn of Justice (2016) is its revisionist take on the destruction that concluded his Superman reboot Man of Steel. After an unnecessary (but at least relatively brief) recap of the Batman story, we are plunged back into the battle but this perspective comes from the ground. […]
Arrival (2016) is the most cerebral of first contact films, a science fiction drama about communicating across cultures and across species and even across time without a common language, while failing to communicate within our own world. It is a film that looks out beyond our galaxy and inward to our own souls, to challenge […]
