The Host (2006), Bong Joon-ho’s South Korean monster movie hit, is neither a parody, subversion, or revision of the often campy horror movie genre. It stirs a stew of genre conventions, from political commentary to dysfunctional family satire to earnest emotional pathos, into an often thrilling monster movie as indebted to the B-movies of seventies American […]
“I love this dirty town.” The first and only time that Burt Lancaster’s J.J. Hunsecker drops the cynical twist from his clenched smile and allows genuine appreciation cross his face in Sweet Smell of Success (1957) is when he drops that line while strolling down the nighttime streets of Broadway. It’s not a proclamation or […]
MTV Films found a niche in the early 2000s with by missing inner-city dramas with youth culture in a way that most studio dramas never quite manage. Freedom Writers (2007), based on the true story of Erin Gruwell, is one of their best, a perfect match of subject and studio. Hillary Swank plays Gruwell, an […]
When singer Frankie Laine was interviewed by Terry Gross on NPR’s Fresh Air many years ago, he confessed that when he was engaged to record the theme song to Mel Brooks’ Blazing Saddles (1974), he was not told that the film (and the song) was a spoof. He simply thought it was a bad song […]
The poster for the music documentary 20 Feet From Stardom (2013, PG-13) advertises the appearances of Bruce Springsteen, Sting, Mick Jagger, Stevie Wonder and Bette Midler, ironic since the documentary is really about the back-up singers who performed with them and many others, always outside of the spotlight. Darlene Love, Merry Clayton, Lisa Fischer, Claudia […]
I Am Legend (2007), the third official adaptation of Richard Matheson’s novel (and the first to carry the novel’s name) about the last human in Earth after a plague turns the survivors into undead creatures, strips the story down to essentials. This version, directed by Francis Lawrence, focuses on the visceral experience of roaming an […]
The Matrix (1999) has become such a touchstone of American pop culture—referenced, copied, parodied, and parroted—that it’s hard to remember just how new and different and distinctive it was when it debuted in 1999. Which is not to say that it is completely original. Image Tron as a Greek Myth, or Sim City as an […]
The Naked Prey (1966), Cornel Wilde’s take on the Most Dangerous Game survival drama, may not be the first but it’s arguably the definitive, most visceral and primal example of the genre. Inspired by an account on the American frontier but shifted to 19th century colonial South Africa, the simple story begins with a bush […]
Superhero films became increasingly sophisticated and decidedly darker as they become (for better or worse) a full-fledged genre in the 2000s. With Batman Begins, writer/director Christopher Nolan (drawing inspiration from the revisionist Batman comic books by Frank Miller and Jeph Loeb) rebooted the Batman mythos for the big screen, bringing the often lighthearted hero back […]
You could call Train to Busan (South Korea, 2016) “Zombies on a Train”—it certainly makes a catchy logline and it frames the premise accurately and succinctly—but it reduces this fleet, fierce, unexpectedly human thriller to a mere gimmick. Apart from the slyly eerie prologue, the film opens without any hint of the viral rampage to […]
