George Cooney and Brad Pitt reunite to old gang for one more romp in Ocean’s Thirteen (2007), third film in Steven Soderberg’s jaunty heist franchise. This time they’re out to avenge group mentor Reuben (Elliott Gould), who has been cheated by international casino kingpin (Al Pacino, playing the financial shark with teeth bared). While Reuben […]
Brad Pitt makes it look effortless in Moneyball (2011), a drama about the business of baseball in the era of multi-million dollar payrolls. Pitt plays Billy Beane, the general manager of the Oakland Athletics struggling to field a competitive team against organizations with much deeper pockets. His solution is to—with the help of unprepossessing Peter […]
Distill Rocky and The Champ, add a dash of The Rumble in the Jungle, shake well and serve in larger-than-life rock ’em sock ’em robots. That’s basically what you get with Real Steel (2011), and somehow all those second-hand pieces come together in a rousing (if awfully inevitable) underdog story. Ostensibly based on the same […]
Part Hans Christian Anderson’s The Little Mermaid, part ecological fable, and part children’s fantasy come to life, Hayao Miyazaki’s Ponyo (Japan, 2008) is a gentle storybook film, a simple, sweet tale animated with a delicacy unique to animated features. Ponyo is a water sprite, a curious undersea creature and daughter of the sea gods who […]
George Clooney is back as caper ringleader Danny Ocean in Ocean’s Twelve (2004), the jaunty sequel to Steven Soderbergh’s hit remake of the Rat Pack heist comedy, and so is his entire crew. They reunite when the target of the original film (Andy Garcia) tracks them down and demands his money back, and they head […]
Children of Men (2007), Alfonso Cuaron’s adaptation of by P.D. James’ dystopian thriller, is set in a bleak, impoverished near future where two decades of infertility have created a mood of hopelessness as devastating and destructive as a nuclear holocaust. Britain has thrown up walls around the borders and is actively deporting immigrants, becoming a […]
Made for MGM in 1945, the handsome and elegant The Picture of Dorian Gray (1945) is still the best adaptation of Oscar Wilde’s only novel. Hurd Hatfield plays Dorian Gray, a handsome, earnest young man who stops aging after having his portrait painted, and George Sanders is Lord Henry Wotton, the hedonistic cynic who tempts […]
Anyone who has followed the career of Paul Schrader could fall into the trap of simply cataloguing the ways in which First Reformed (2018) is a summation of his themes and inspirations. Imagine the promotional possibilities: “From the author of “Transcendental Cinema” and “Notes on Film Noir” and the screenwriter of Taxi Driver and The Last […]
Is there another American filmmaker who takes such joy in telling stories and spinning cinematic spells as Quentin Tarantino? I don’t mean tackling big issues or making epic statements. I’m talking about the sheer pleasure of telling audiences a tale that takes them places they don’t expect and ways they haven’t quite experienced before. The […]
Loving (2016), Jeff Nichols’s portrait of Richard and Mildred Loving, does more than put a face to a landmark Supreme Court decision. Their 1958 marriage was a crime in the state of Virginia because Richard (played by Joel Edgerton with a terse determination) was a white man and Mildred (Ruth Negga, vulnerable yet hopeful) was […]
