The “bonnes femmes” of Claude Chabrol’s Les Bonnes Femmes (1960) are four shopgirls at a small appliance store in Paris. Good time girl Bernadette Lafont spends her nights in empty flirtations with boorish womanizers, social climbing Lucile Saint-Simon withers under the disdainful gaze of her boyfriend’s haughty parents, seemingly confident Stephane Audran secretly follows her […]
