Day For Night (France, 1973), François Truffaut’s Oscar-winning love letter to the cinema, celebrates the glorious chaos and creative heartache of making movies. Truffaut himself reigns over the on-screen cinema circus as director Ferrand, an aloof figure juggling productions delays, budget cuts, and the personal crises of his cast and crew as he tries to […]
Olivier Assayas wrote this drama about a veteran actress facing a transition in her career after Juliette Binoche, arguably France’s greatest and certainly most ambitious actress working today, challenged him to write a film centered on women. It was a friendly challenge—she had already starred in two films he wrote for director André Téchiné and […]
“This boy… and this girl… were never properly introduced to the world we live in…,” begins They Live By Night (1948), a bubble of a brief, idealized vision of young love immediately swept away in the urgency and desperation of the prison break in the very next scene. The directorial debut of American filmmaker Nicholas […]
The Breaking Point (1950), the second of three big screen adaptations of Ernest Hemingway’s To Have and Have Not, stars John Garfield as Harry Morgan, the role that Humphrey Bogart played in the original. The Howard Hawks film took great liberties with Hemingway’s story. This version is more faithful but takes its own liberties. Harry […]
Downhill Racer (1969) is the feature debut of Michael Ritchie, the first project that frustrated actor and future movie star Robert Redford developed for himself and the first of Redford’s proposed trilogy about the meaning of “winning” in American culture. That’s what gives such a riveting perspective to what would otherwise be called a “sports […]
The Friends of Eddie Coyle (1973), adapted from the terrific novel by George V. Higgins and produced in the wake of The French Connection, is probably the least heralded crime movie classic of the seventies. Robert Mitchum is Eddie ‘Fingers’ Coyle, a middleman working the fringes of the Boston underworld while awaiting sentencing, which prompts […]
The story of a boy and his bird, Kes (1969) is something of a small cinematic treasure in Britain. Set and shot in the North of England and cast overwhelming with non-professional locals from the area, it cast its lens on the dreary life and hopeless future of a scrawny, fatherless teenager, Billy Casper (David […]
I can’t begin to find the words to describe House (1977), aka Hausu, an unclassifiable Japanese haunted house/high school romp/demon killer/surreal fantasy film from Nobuhiko Obayashi. Made in 1977 and recently revived and released to the rest of the world, it’s the archival cult find of the decade: a candy-colored style bomb of horror movie […]
Before Hellboy, Pan’t Labyrinth, and his Academy Award winning The Shape of Water, Guillermo del Toro directed the elegant and harrowing ghost story The Devil’s Backbone (Spain, 2001). Set in the collapsing days of the Spanish Civil War, in a makeshift orphanage where the sons of fallen Republican soldiers are protected by a war widow […]
Henri-Georges Clouzot was called the Hitchcock of France for his shadowy thrillers and the atmosphere of distrust and suspicion that ran through so many of his films. Diabolique (France, 1955, not rated, with subtitles), his 1955 thriller about a plot to commit a perfect murder and the wrenching tension when the corpse disappears, plays like […]
