Danny Boyle’s underdog movie about a slum kid in India who defies all odds was the most unabashedly, tragically, rapturously romantic film of 2008.
28 Days Later (2003), Danny Boyle’s 21st century take on the zombie film, isn’t actually a zombie film, Boyle insists, and technically he’s correct. The springy, savage human monsters aren’t dead, merely infected with an experimental viral weapon called “rage,” which has turned them into mindless animals intent in tearing every living thing they see […]
The initial premise of Sunshine (2007) – the sun is dying and mankind has put all hope in a desperate effort to reignite our star with a nuclear payload of galactic dimensions – is more fantasy than science fiction, powered by nonsense physics. An international crew makes the voyage in a magnificent spaceship with a […]
Steve Jobs (2015) isn’t the usual big screen biopic. Ostensibly adapted from Walter Isaacson’s best-selling biography, Aaron Sorkin’s screenplay discards the familiar birth-to-death sweep to offer a triptych of snapshots of Jobs, the co-founder of Apple who became the face of the company over his stormy stewardship, driving innovation and driving out opposition. Apart from […]