This gorgeous French-Danish animated feature is a coming of age story, age of adventure odyssey, and finally survival tale in the icy North.
Vampyr (Denmark, 1932) is a horror movie as tone poem. An early sound film shot with a distinctive and evocative silent film aesthetic, dialogue is sparse and large blocks of text (either intertitles or pages from a book of vampire lore) provide the exposition. And it’s eerily abstract film with vague motivations and ethereal imagery […]
I’m not sure how I manage to keep my simultaneous fascination with /repulsion for Lars von Trier in balance, but it’s there with a vengeance in Antichrist (Denmark, 2009), another provocation that is at once beautiful and perverse, personal and cynical, and filled with his sour vision of the emotional small-mindedness (small-heartedness?) of the human […]
Thomas Vinterberg’s Danish drama The Hunt (2012) is his best film since The Celebration and, no surprise, it mines similar themes and volatile emotions that are churned up the surface. Mads Mikkelsen stars as a dedicated teaching assistant at a pre-school who, through a misunderstanding, is put under investigation for child abuse, a smoldering suspicion […]