Bernardo Bertolucci’s The Conformist (1970), his dense, visually intricate, and stylistically ornate adaptation of the revered novel by Alberto Moravio, tosses sex, desire, politics, and personal responsibility into the Fascist era before World War II. Marcello (an actively repressed Jean-Louis Trintignant), a petty bourgeois man in late 1930s Italy, joins the Italian Fascist party as […]
