Miami Blues (1990) should have been the first film in funky crime movie franchise. It’s based on the first of four novels by modern hardboiled crime author Charles Willeford featuring Miami police detective Hoke Moseley; adapted and directed by George Armitage, who learned his trade making pictures for Roger Corman; and produced by Jonathan Demme, […]
A Most Violent Year (2014) should have been an Oscar contender. Written and directed by J.C. Chandor (Margin Call) and set in the crime-ridden culture of early 1980s New York City (which was the most violent year on record in the city’s history), smart, shadowy tribute to the crime dramas of the seventies and early eighties, […]
The 1960s were full of big budget wartime caper-style films—The Great Escape, Where Eagles Dare, Kelley’s Heroes, just to name a few—but none of them have the brawny machismo and wily bad boy gusto of The Dirty Dozen (1967), Robert Aldrich’s testosterone-fueled tough guy classic. Lee Marvin is the hard-as-nails Major who is “volunteered” to […]
The Judd Apatow factory refreshed the coming-of-age comedy (for all ages of adolescent men) in comedies like Knocked Up, Superbad, and Forgetting Sarah Marshall before stretching itself thin (that’s my best explanation for Drillbit Taylor and Step Brothers). One of the smartest things he did was to seek out directors not normally associated with his […]
An orphaned girl finds purpose when she goes to live with her grandmother, the aging innkeeper of a small spa in a country vacation town known for the healing waters of its natural springs, in the lively animated feature Okko’s Inn (Japan, 2018). Okko, an urban girl who loses her parents in a devastating car […]
Winner of the Palme d’Or at Cannes 2016 and nominated for nine Cesar awards, Jacques Audiard’s Dheepan (France, 2015) is a moving drama of alienation, assimilation, and survival. A guerilla soldier (Jesuthasan Antonythasan, a non-actor and former child soldier) in the brutal Tamil Tigers in the dying days of Sri Lanka’s civil war, burns his […]
Is Mildred Pierce (1945) film noir or melodrama? I say why choose? Film noir is almost entirely associated with crime stories and life in the shadows and at night in the city and sure enough Mildred Pierce, based on the novel by James M. Cain, opens with death and darkness and the twilight of the […]
The great western director Anthony Mann and aging western icon Gary Cooper teamed up for the first and only time in Man of the West (1958), a stark frontier drama of a trio of train passengers stranded in the desert after a railway holdup. Taking responsibility for his helpless compatriots (Julia London as a sad-eyed […]
The film that branded Sam Peckinpah with the nickname “Bloody Sam,” The Wild Bunch (1969) blazed onto theater screens in the era of Bonnie and Clyde, when genre conventions were being blasted away and directors pushed the boundaries of what was once considered “acceptable.” Peckinpah, ever the irascible maverick, rode roughshod over every unspoken rule […]
“You don’t pay for your sins in church. You pay for them on the street. All the rest is bullshit.” Mean Streets (1973) is not Martin Scorsese’s first film, but it is the film in which he came into his own. Passionate, energetic, stylistically inventive and personally driven, it is the first mature, full blooded “Martin […]
