Rolling Stone once called The Big Lebowski (1998) “the most worshipped comedy of its generation.” I like to think of it as the Book of Duderonomy, the lost gospel of the post-modern Testament. Jeff Bridges is brilliant as the Dude, one of the most strangely centered individuals in the movies. This bowler/stoner/free spirit is mistaken […]
Here’s what’s new and ready to stream now on Netflix, Amazon Prime, Hulu, HBO Now, Showtime Anytime, FilmStruck, video-on-demand, and other streaming services … Netflix broke with its policy for the release of The Ballad of Buster Scruggs (2018, R), the American frontier comedy from the Coen Brothers. Initially planned as a six-part series featuring […]
No Country for Old Men (2007), adapted from Corman McCarthy’s novel by directors/screenwriters/auteurs-of-our-age Ethan and Joel Coen, is a perfect match of story and storyteller. Josh Brolin’s Llewelyn Moss, a cowboy in modern Texas who returns from poaching trip with a fortune in drug money, is just smart enough to outrun trouble, but he’s a […]
A Serious Man (2009) is a serious (and seriously funny) meditation on little themes like the meaning of life and why are we here and how can we know God’s purpose, and is as funny, heartbreaking, questioning, trying, exasperating and sincerely inquisitive a portrait of the human condition as you’ll find on screen. You could […]
In the opening credits of Joel and Ethan Coen’s O Brother, Where Art Thou? (2000), their depression-era prison break movie-turned-screwball odyssey through the deep south, is the attribution: “Based upon The Odyssey by Homer.” It’s a cheeky proclamation and it doesn’t take a classical scholar to note that, if it’s indeed true, they’ve taken liberties […]
Bridge of Spies (2015), Steven Spielberg’s cold war drama, stars Tom Hanks as insurance attorney James B. Donovan, an American idealist asked to represent Rudolf Abel (Mark Rylance), a Soviet spy captured by the CIA in 1957 and given a public trial. He’s prize casting in a legal pageant that he’s supposed to lose but Donovan takes […]
Hail, Caesar! (2015), the Coen Bros.’s sly lampoon of 1950s Hollywood, is an affectionate and satirical tribute to studio filmmaking and a wittily skewed comedy of cultural politics in early 1950s America, the beginning of the end of the studio era. Set at the fictional Capitol Pictures, an MGM-like studio, and centered on Eddie Mannix […]
Burn After Reading (2008) – After the darkness of No Country for Old Men, the Coen Bros. eased up with a deadpan espionage farce played out by small fish convinced that they are in deep waters, a film much lighter and significantly slighter but put together with such perfection that you can’t help but be […]
Inside Llewyn Davis (2013), directed by the Coen Bros. and starring Oscar Isaac in his breakthrough role, was almost entirely overlooked at the Oscars. Perhaps that’s because, despite the astounding recreation of the Greenwich Village scene and an atmosphere and texture that you can almost feel through the screen, struggling folk singer Llewyn (Oscar Isaac) […]
