Wonder Woman (2017) is, if you’ll pardon such an obvious comment, a wonder of a superhero movie, a film that doesn’t transcend the genre but most certainly sets a high bar, especially next to the ponderous, humorless films of the new big screen universe of interconnected DC Comics heroes. Gal Gadot debuted as Amazon princess […]
Snowpiercer (2013), an international production from Korean filmmaker Bong Joon-ho and a French graphic novel, is a high-speed allegory speeding down the science fiction tracks of genre cinema. That’s the way I like this brand of filmmaking: with the symbols big, muscular, detailed, and punchy. You either give yourself over to the metaphor, in this […]
Mary and the Witch’s Flower (Japan, 2017), the magical fantasy by Japanese animator and filmmaker Hiromasa Yonebayashi (director of the marvelous When Marnie Was There), based on a children’s novel by British author Mary Stewart, follows the adventures of a schoolgirl who receives magical powers for a day from a magical flower that blooms once […]
