The Belladonna of Sadness (Japan, 1973), a lost classic of Japanese animation, is an erotic drama by definition, but it is quite a sophisticated one that is part subversive folk tale, part rock ballad musical, and part experimental filmmaking. Set in an unnamed kingdom in an abstracted medieval Europe, it’s a provocative film about female […]
Fernando di Leo was, in the estimation of genre-hound Quentin Tarantino, “the master” of the Italian crime movie, or the “poliziotteschi.” A violent action genre that picked up the escalating violence of American films like Dirty Harry and The French Connection, films where blood spattered and cops got their hands dirty, it was never as […]
The Exiles (1961), Kent Mackenzie’s independently produced drama, chronicles the lives of urban American Indians (all of them non-actors drawing from their own lives) on the Bunker Hill area of Los Angeles over one long, alcohol-lubricated night. Homer dropped out of school, left the reservation, joined the Navy, and now drinks his nights away with […]
Behind the Door (1919) (Flicker Alley, Blu-ray+DVD) was for decades a film known by reputation only. A good film, yes, but more than that a notorious one, for what lay behind the door was… No spoilers because the film, once known to exist only in incomplete form, has been reconstructed and restored by the San […]
The Italian Connection (Italy, 1972), from Italy’s king of crime cinema Fernando di Leo, stars Mario Adani (the top dog thug of the Americano’s gang in di Leo’s earlier Caliber 9) as Luca, a remarkably affable and well-liked pimp whose popularity on the street makes the Milan boss nervous. So he frames Luca for a […]
Alain Resnais was the most narratively experimental and ambitious of directors at the birth of the nouvelle vague, startling audiences with the short documentary Night and Fog (about the Nazi death camps) and the features Hiroshima Mon Amour (ruminating on the bombing of Hiroshima and Nagasaki) and Last Year at Marienbad (which you could say […]
Jacque Rivette’s Out 1 (1971) is one of a kind: an almost 13-hour film in chapter form and a radical experiment in filmmaking and collaborative storytelling. Rivette was one of the founding brothers of the French New Wave but he was interested in a different approach to making movies. So he invited a cast of […]
The Blue Angel (1930) – American director Josef von Sternberg went to Germany to direct Emil Jannings in his transition from silent to sound cinema and returned to Hollywood with an international hit and a new star: Marlene Dietrich. Not exactly what Jannings had in mind, but then how could he know that his thick, […]
Burning Bush (2013), Agnieszka Holland’s almost four-hour political thriller, tackles one of the most harrowing events of Czech social history: On January 6, 1969, college student Jan Palach doused himself in gasoline and lit himself afire in downtown Prague to protest the Soviet invasion of Czechoslovakia. Originally created as a three-part cable film for HBO […]
Canadian iconoclast Guy Maddin has been making strange, surreal films that evoke the images and storytelling traditions of silent movies for decades. The Forbidden Room (2015), which he co-directed with his former student Evan Johnson, is like a compendium of his obsessions and cinematic fetishes. It opens on a mock-instructional film on “How to Take […]
