The French crime thriller Point Blank (France, 2010), not to be confused with John Boorman’s 1967 post-noir masterpiece, opens in full sprint and pretty much stays in that adrenaline-pumping state. There is one peaceful interlude, a flashback to the calm before the storm with nursing student Samuel (Gilles Lellouche) and his pregnant wife (Elena Anaya), […]
A Christmas Tale (France, 2008), Arnaud Desplechin’s mercurial, knotty and cinematically vibrant drama of family dysfunction stirred up over a Christmas gathering, was my pick for best film of 2008. Directing with restless energy, Desplechin sketches out a family tragedy, the untimely death of a first-born that precedes the story by decades, and then only […]
My Golden Days (2015), from French filmmaker Arnaud Desplichin, is ostensibly a sequel / prequel to Desplichin’s breakthrough feature My Sex Life… or How I Got Into an Argument (1996) but it lives on its own as a remembrance of times past. Mathieu Amalric (Desplichin’s cinematic alter-ego) reprises his role as Paul Dédalus twenty years […]
With The Illusionist (France, 2010), animator Sylvain Chomet (of the delirious The Triplets of Belleville) transforms an unproduced script by they great French auteur Jacques Tati (Mon Oncle) into a tender tale of a French magician and a Scottish girl in the theater-folk society of London as the old world of stage performance gives way […]
George Franju’s perverse and poetic Eyes Without a Face (France, 1959) is at once lyrical, haunting, and deviant, an elegantly horrifying classic of sadism and shadowy grace. A famed plastic surgeon (Pierre Brasseur), wracked with guilt over disfiguring his once beautiful daughter (Edith Scob) in car wreck, lures young woman to his secluded mansion with […]
Bertrand Bonello’s Nocturama (France, 2017) is mesmerizing. Ostensibly a terrorist thriller about a group of French millennials who stage an attack on the symbols of global capitalism, it becomes a portrait of anger and resistance transformed into an exacting yet vaguely-defined assault on property and information and cultural landmarks. The first half is a crisply […]
Crime cinema has never been so meticulously and coolly executed as in Le cercle rouge (France, 1970). Jean-Pierre Melville’s 1970 heist classic stars Alain Delon and Gian Maria Volonte as coolly professional thieves, Yves Montand as a soused sharpshooter who regains his self-respect when he joins their team, and Andre Bouvril as the unrelenting cop […]
The fantastic visions of Belgian filmmakers Marc Caro and Jean-Pierre Jeunet culminated in The City of Lost Children (France, 1995), fairy tale for adults. Evoking utopias and dystopias from Brazil to Peter Pan, Caro and Jeunet create a vivid but menacing fantasy city in a perpetually twilight world. In this rough port town lives circus […]
The classic meets the cool when dapper Jean Gabin teams up with smoldering matinee idol Alain Delon in Henri Verneuil’s caper film Any Number Can Win (France, 1963). White-haired Gabin is a little thick and doughy by this time in his career but he carries decades of French crime films and superstar gravitas with him […]
Filmmaker Abdellatif Kechiche explores the lives of outsiders looking for their place in Blue is the Warmest Color (France, 2013) an intimate love story based on a graphic novel. Thanks to Academy rules for foreign films, it wasn’t eligible for an Oscar nomination due to the timing of its French theatrical release. But it took home […]
