Day For Night (France, 1973), François Truffaut’s Oscar-winning love letter to the cinema, celebrates the glorious chaos and creative heartache of making movies. Truffaut himself reigns over the on-screen cinema circus as director Ferrand, an aloof figure juggling productions delays, budget cuts, and the personal crises of his cast and crew as he tries to […]
Olivier Assayas wrote this drama about a veteran actress facing a transition in her career after Juliette Binoche, arguably France’s greatest and certainly most ambitious actress working today, challenged him to write a film centered on women. It was a friendly challenge—she had already starred in two films he wrote for director André Téchiné and […]
Here’s what’s new and ready to stream now on Netflix, Amazon Prime, Hulu, HBO Now, video-on-demand, and other streaming services … The weekly column is featured in The Seattle Times, The Spokesman-Review, and other newspapers. After the major film studio passed, Martin Scorsese turned to Netflix to finance “The Irishman” (2019, R) his latest and […]
Violette (France, 2013) – Violette Leduc was an acclaimed and controversial French author who, encouraged by Simone de Beauvoir, began writing after World War II and earned the respect of such literary greats as Jean Genet and Jean-Paul Sartre for her frank and vivid memoirs. She wrote about female sexuality at a time when no […]
Henri-Georges Clouzot was called the Hitchcock of France for his shadowy thrillers and the atmosphere of distrust and suspicion that ran through so many of his films. Diabolique (France, 1955, not rated, with subtitles), his 1955 thriller about a plot to commit a perfect murder and the wrenching tension when the corpse disappears, plays like […]
If classic French cinema is any indication, then gangsters were the great Gallic underground hero. Where the prototypical American gangsters are invariably cultural outsiders and immigrants who muscle their way to power in sprays of bullets, their French counterparts are dapper men with a code of loyalty who walk the tightrope between respect and disrepute. […]
Das Boot (Germany/France, 2019) shares the same title as Wolfgang Petersen’s 1981 film (and is technically a sequel), but familiarity with the original is unnecessary to start the series. Also based on the novel Das Boot by Lothar-Günther Buchheim as well its sequel Die Festung, the 2019 series is set in late 1942, nine months after the film’s finale, […]
A spaghetti western with French seasonings, Cemetery Without Crosses (1969) is a Franco-Italian co-production shot in Almeria, Spain, the definitive badlands landscape of the Euro-western. The director, screenwriters, two stars, and even composer are French and the supporting cast largely Italian. And while this is not shot in the widescreen dimension of CinemaScope, de rigueur […]
Eric Rohmer’s unique retelling of the tale of Perceval (France, 1978) is a great and glorious anomaly in the career of the nouvelle vague filmmaker. Adapted by Rohmer from the 12th century book by Cretien de Troyes, it’s a strange, sophisticated mix of ancient theater, medieval painting, music and prose in a beautifully stylized film […]
The Damned (aka Les maudits) (France, 1947) is a superb title for this noir-tinged 1947 French war thriller from René Clément. In the final days of World War II, as the Third Reich falls under the Allied advance, the Nazis send a special team on a secret mission to South America by submarine to prepare […]
