Bertrand Bonello’s Nocturama (France, 2017) is mesmerizing. Ostensibly a terrorist thriller about a group of French millennials who stage an attack on the symbols of global capitalism, it becomes a portrait of anger and resistance transformed into an exacting yet vaguely-defined assault on property and information and cultural landmarks. The first half is a crisply […]
In Starting Out in the Evening (2007), Frank Langella is heartbreakingly good as author Leonard Schiller, a once-celebrated author forgotten in the years since his last novel and flattered by the attention of an appreciative graduate student (Lauren Ambrose) intent on reintroducing his work to the world with her thesis. His discreet performance, all politeness […]
Words and Pictures (2013) is both a romantic drama, with Clive Owen as passionate but alcoholic English teacher at an expensive prep school and Juliette Binoche as the new art teacher who clashes with the brash Owen, and a pedagogical drama where a “war” between the written word and the image inspires the student body […]
Richard Burton is Alec Leamas, a once-sturdy MI-6 agent who has become a disillusioned burn-out after seeing too many fellow agents die, in The Spy Who Came in from the Cold (1965), Martin Ritt’s superb film of John le Carré’s novel. The author was a British agent in his own right and his books were […]
Arguably the most famous of Ingmar Bergman’s films and certainly his most iconic, The Seventh Seal (Sweden, 1957) is Bergman at his most allegorical. Max von Sydow, young and blond and heroic, is a disillusioned knight returned from the Crusades in a state of spiritual desperation: his faith has been shaken by senseless death and […]
Future Oscar-winning filmmaker Curtis Hanson first made his reputation with The Bedroom Window (1987), which draws deep from the well of Alfred Hitchcock. Steve Guttenberg plays the everyman hero Terry, a “romantic fool” (in the words of one character) having an affair with the boss’s wife (Isabelle Huppert). She witnesses an assault through his bedroom […]
Bill Morrison’s films straddle film history and avant-garde expressionism, mining the wealth of silent film history and exploring the abstract beauty of decaying nitrate film, a particularly volatile medium that breaks down over time. Dawson City: Frozen Time (2016) celebrates the “Dawson Film Find” of 1978, thousands of reels of film buried in the permafrost, […]
Florence Foster Jenkins (2016) may sound like a one-joke contrivance—a rich, generous, arts-loving heiress in 1940s New York City gives private recitals to a select group of high society insiders who never let on to the oblivious woman that she is quite possibly the worst singer to ever trod a stage—but it is both a […]
Rare Exports: A Christmas Tale (Finland, 2010) comes from the land of the original Father Christmas but he’s no cuddly old man who hands out presents at Christmas. This Santa Claus, who has been buried in a man-made glacier like a wooly mammoth, is a child-snatching demon who punishes the naughty with the help of […]
Ji-woon Kim has proven himself one of the most interesting and versatile filmmakers to come out of South Korea in the past two decades with such films as The Quiet Family (1998), The Good the Bad the Weird (2008), and I Saw the Devil (2010). With the haunting A Tale of Two Sisters (South Korea, […]
