Hail, Caesar! (2015), the Coen Bros.’s sly lampoon of 1950s Hollywood, is an affectionate and satirical tribute to studio filmmaking and a wittily skewed comedy of cultural politics in early 1950s America, the beginning of the end of the studio era. Set at the fictional Capitol Pictures, an MGM-like studio, and centered on Eddie Mannix […]
“To know me is to fly with me,” proclaims philosopher-in-flight Ryan Bingham. “This is where I live.” And it’s clear in the opening moments of Up in the Air (2009) as Ryan—as played by George Clooney—walks through the airport, perfectly at home as checks in to the preferred customer counter and eases through security with […]
Anton Corbijn’s The American (2010) is a cool, continental thriller starring George Clooney as the titular American, a professional in the assassination game in Europe. I use the term “thriller” in the generic sense, as this plays out more like Jean-Pierre Melville portrait of isolated underworld professionals, freelancers in the international network of criminal enterprise. […]
“I’m not a miracle worker. I’m a janitor.” George Clooney simmers as Michael Clayton (2007), a legal “fixer” who works behind the scenes of a powerful New York law firm, in Tony Gilroy’s smart, sharp legal drama. When he’s sent to clean up the moral meltdown of the firm’s leading litigator (Tom Wilkinson), he unwittingly […]
In the opening credits of Joel and Ethan Coen’s O Brother, Where Art Thou? (2000), their depression-era prison break movie-turned-screwball odyssey through the deep south, is the attribution: “Based upon The Odyssey by Homer.” It’s a cheeky proclamation and it doesn’t take a classical scholar to note that, if it’s indeed true, they’ve taken liberties […]
Burn After Reading (2008) – After the darkness of No Country for Old Men, the Coen Bros. eased up with a deadpan espionage farce played out by small fish convinced that they are in deep waters, a film much lighter and significantly slighter but put together with such perfection that you can’t help but be […]
Money Monster (2016) makes a show of channeling anger at Wall Street, which seems to emerge with a profit even when everyone else loses their retirement savings, and the frustration for the failure of the media circus that passes for journalism to hold it accountable into a modern plugged-in thriller. It has George Clooney playing […]
George Clooney seems born to the mantle of presidential candidate in The Ides of March (2011), a political drama loosely inspired by the Howard Dean presidential campaign and adapted from the play “Farrugut North” by Clooney (who also directs) and his producing partner Grant Heslov. He’s confident, cool, charming and looks every inch the telegenic […]
