Inferno (Italy, 1980), the second film in Dario Argento’s “Three Mothers” trilogy, is ostensibly a sequel to Suspiria, though it has no characters or storylines in common with Dario Argento’s giallo classic. What it shares is style and sensibility and dreamy, unreal imagery. Irene Miracle appears to be our heroine, a New York girl captivated […]
Antonio Margheriti is best known to modern audiences (if at all) thanks to Quentin Tarantino, who memorialized his name in Inglorious Basterds; it’s Brad Pitt’s cover name as he infiltrates a Nazi function and he can’t even pronounce it. The real Antonio Margheriti was a prolific director cranking out genre pictures through the 1960s and […]
Despite the title Mario Bava’s funky 1965 sci-fantasy thriller Planet of the Vampires (Italy, 1965), there are no bloodsuckers to be seen, merely an unseen force that kills the astronauts (led by a craggy Barry Sullivan) that land on a primeval otherworldly planet of jagged rocks, bubbling lakes of lava mud, and purple skies. If […]
A spaghetti western with French seasonings, Cemetery Without Crosses (1969) is a Franco-Italian co-production shot in Almeria, Spain, the definitive badlands landscape of the Euro-western. The director, screenwriters, two stars, and even composer are French and the supporting cast largely Italian. And while this is not shot in the widescreen dimension of CinemaScope, de rigueur […]
Adua and Her Friends (Italy, 1960) are prostitutes from a Rome brothel attempting to take charge of their own lives after their place is shut down in the aftermath of Italy’s Merlin Law, which ended legalized prostitution in 1958. Adua (Simone Signoret), a veteran of the life, has a plan to open a restaurant as […]
Enchanted April (1991) – Josie Lawrence and Miranda Richardson are the two quietly miserable middle class wives who impulsively (and passionately) decide to escape their dreary world in post-World War I London and their distracted, pompous husbands and rent a castle on the Italian coast. When they wake up in their villa after a rainy […]
The Italian Connection (Italy, 1972), from Italy’s king of crime cinema Fernando di Leo, stars Mario Adani (the top dog thug of the Americano’s gang in di Leo’s earlier Caliber 9) as Luca, a remarkably affable and well-liked pimp whose popularity on the street makes the Milan boss nervous. So he frames Luca for a […]
Bernardo Bertolucci’s The Conformist (1970), his dense, visually intricate, and stylistically ornate adaptation of the revered novel by Alberto Moravio, tosses sex, desire, politics, and personal responsibility into the Fascist era before World War II. Marcello (an actively repressed Jean-Louis Trintignant), a petty bourgeois man in late 1930s Italy, joins the Italian Fascist party as […]
Mafioso (Italy, 1962), Alberto Lattuada’s brilliant satire of Sicily’s “paternal” mafia, became the cinematic rediscovery of 2006 when it was revived and shown at the New York Film Festival. Alberto Sordi plays the Sicilian son made good, a business professional in Milan who, bubbling over with sentimental zeal, brings his Milanese wife and two adorable […]
The shamelessly and fabulously derivative Italian space opera Starcrash (1979) is both the most ridiculous and the most irresistible of all the Star Wars knock-offs of the late seventies and eighties. Caroline Munro spends much of the film in a black latex bikini as the great outlaw starship pilot Stella Star, who is arrested by […]
