“In heaven, everything is fine,” but in Eraserhead (1977) nothing is fine. David Lynch’s debut feature is grim, disturbed, mutated, claustrophobic, a world that appears to be unraveling—or, more accurately, decaying—before our eyes. Jack Nance stars as the doughy, dim factory worker who is suddenly thrust into marriage and parenthood and escapes his grimy, oppressive […]
