The African desert, WWII, and romance… no doubt about it, The English Patient (1996) is a Casablanca for the 90s, directed with sweep, elegance, and grand passions by Anthony Minghella from his screenplay adaptation of Michael Ondaatje’s novel. Ralph Fiennes, scarred by fire and buried under bandages like an Egyptian mummy, is the mysterious patient […]
The live-action Ghost in the Shell (2017) is both a big-screen adaptation of the long-running Japanese manga (comic book) by Shirow Masume and a remake of the landmark animated 1995 feature from Mamoru Oshii. No matter how you split the difference, the film had a high bar to clear even before the controversy over the […]
Words and Pictures is both a romantic drama, with Clive Owen as passionate but alcoholic English teacher at an expensive prep school and Juliette Binoche as the new art teacher who clashes with the brash Owen, and a pedagogical drama where a “war” between the written word and the image inspires the student body to […]
Cosmopolis (2012) is a microcosm of a disconnected existence, life lived in a bubble in financial dealings and digital communications and brief face-to-face conversations and sexual intermissions in a space shuttle of a limousine creeping through the gridlock of an anonymous New York City. David Cronenberg adapts Don Delillo’s massive novel, distilling it down to […]
Bruno Dumont, once the chronicler of misery, alienation, and violence in rural France, has become a director of odd comedies with dark edges, first with the miniseries Li’l Quinquin and now Slack Bay (France, 2016). Slack Bay is set on the coast of Northern France in 1910, where the eccentric and wealthy Van Peteghem family arrives to […]
Olivier Assayas’ Summer Hours (France, 2008) plays like a miniature, a small film of small dramas in the scope of large lives. Mortality once again hangs over the story of a family estate and the rich treasures of art history that goes with it. Family matriarch Helene (Edith Scob) has preserved the country home of […]
The Lovers on the Bridge (France, 1991) (Kino Lorber, Blu-ray), Leos Carax’s tale of l’amour fou, was the most expensive film ever made in France at the time and one of the most ravishing made anywhere ever. It was also a commercial disaster, alternately celebrated as a triumph of personal expression and vilified as the […]
Olivier Assayas wrote this drama about a veteran actress facing a transition in her career after Juliette Binoche, arguably France’s greatest and certainly most ambitious actress working today, challenged him to write a film centered on women. It was a friendly challenge—she had already starred in two films he wrote for director André Téchiné and […]
The Certified Copy (2010) of Iranian master Abbas Kiarostami’s first European production refers to artworks—Why do we value a reproduction less than an original and what does authenticity even mean?—but resonates just as effectively with the art of filmmaking and its relationship to reproduction and recreation. “It’s our perception that gives it value,” to quote […]
The three colors are blue, white and red. They are the colors of the French flag, of course, and they are appropriated by director Krzysztof Kieslowski along with the themes of the motto they more or less represent: liberty, equality, fraternity. But the films Three Colors: Blue (1993), Three Colors: White (1993), and Three Colors: […]
