“Plissken? I heard you were dead.” “Call me Snake.” Maybe it’s not John Carpenter’s best film, but Escape from New York (1981) is one of his most fun and the premise is irresistible: in the future, Manhattan has been turned into a high security island prison and Liberty Island is the guard station. When Air […]
There are two kinds of people, my friend. Those who love Sergio Leone’s The Good, the Bad and the Ugly (1966) and those who resist the machismo and gallows humor of what is arguably the definitive spaghetti western. Leone’s first real attempt at mythologizing his vision of the American west (shot, of course, in the […]
Kansas City Confidential (1952), the first of three collaborations between Phil Karlson, a director who graduated from B-movies with a strong storytelling punch and a tough, two-fisted sensibility, and John Payne, a former light romantic lead and bland song-and-dance man of Fox musicals, was a career changer for both of them. Payne was already reinventing […]
Day of Anger (Italy, 1967) is another reminder of why Lee Van Cleef became a major spaghetti western star. He doesn’t just dominate Day of Anger, he owns the film as a Frank Talby, a smiling gunman who rides into the thoroughly corrupt town of Clifton, Arizona (which, of course, is actually Almería, Spain) to […]
