Roman Polanski once cited Cul-De-Sac (1966), a sly little character piece set in an isolated medieval castle on the barren British coast, as his personal favorite of his films, and the closest he came to creating “pure cinema.” It’s Polanski’s third feature and his second English language film, and he wrote the original script with […]
Fernando di Leo was, in the estimation of genre-hound Quentin Tarantino, “the master” of the Italian crime movie, or the “poliziotteschi.” A violent action genre that picked up the escalating violence of American films like Dirty Harry and The French Connection, films where blood spattered and cops got their hands dirty, it was never as […]
Once Upon a Time in the West (1968) puts the opera into “horse opera.” Leave it to the Italians to put genuine operatic dimension into the great American saga of western expansion. Sergio Leone’s loving tribute to the myth of the American West leaves the cool, cruel mercenary world of the Clint Eastwood Dollar films […]
