The rich, brutal, cynical culture of Italian westerns (aka spaghetti westerns) is dominated by Sergio Leone’s great movies, but there is a whole legacy of cynical, hard-edged, and even politically daring Italian westerns of the sixties and seventies. A Bullet for the General (Italy, 1966), set in the culture of mercenaries and bandits operating in […]
Requiescant (Italy, 1967) is a revolutionary allegory in a spaghetti western, a genre that proved to be fertile ground for socio-political commentary such filmmakers as Sergio Solima (Face to Face, 1967) and Damiano Damiani (A Bullet for the General, 1966). In a 2010 interview, filmmaker Carlo Lizzani remarked that the Italian government used the leverage […]
The rich, brutal, cynical culture of Italian westerns (aka spaghetti westerns) is dominated by Sergio Leone’s great movies and especially The Good, the Bad and the Ugly (1966), arguably the definitive spaghetti western. But there is a whole legacy of cynical, hard-edged, and even politically daring Italian westerns of the sixties and seventies. You can […]
