Mario Bava’s elegant 1964 slasher picture as ballroom dance, bathed in intense, unreal sprays of red and purple and green, is where the distinctly Italian horror genre known as giallo was born.
Despite the title Mario Bava’s funky 1965 sci-fantasy thriller Planet of the Vampires (Italy, 1965), there are no bloodsuckers to be seen, merely an unseen force that kills the astronauts (led by a craggy Barry Sullivan) that land on a primeval otherworldly planet of jagged rocks, bubbling lakes of lava mud, and purple skies. If […]
The title may sound like a serial killer thriller but Mario Bava’s Kill, Baby… Kill (Italy, 1966) is a Gothic ghost story with haunting images, grotesque edges, and glorious style. Think of it as Bava’s answer to a Hammer horror, with hysterical superstition and suspicion of outsiders replacing the lurid sexuality of Hammer’s Victorian horrors […]
Mario Bava essentially created the genre of baroque horror known as “giallo,” a distinctly Italian twist on stalk and kill horror film. Under his direction, Grand Guignol gore is transformed into lush, visually elegant cinematic spectacle, a waking nightmare with the poetic grace of a musical and a demented edge of sexual perversity. After rising […]