“As far back as I can remember, I always wanted to be a gangster.” GoodFellas (1990), Martin Scorsese’s violent, dynamic, exhilarating adaptation of Nicholas Pileggi’s non-fiction book Wiseguy, about real-life wiseguy-turned-witness against the mob Henry Hill, exploded across screens in 1990 and was embraced as the first great American gangster movie since Coppola’s The Godfather […]
Taxi Driver (1976), Martin Scorsese’s incendiary masterpiece of alienation and anger and urban anxiety may be the most maverick vision of seventies American cinema. It is certainly one of the most visceral portraits of the American urban underbelly ever put on film, a movie bathed in blood as much as in light, and almost forty years […]
The Aviator (2004), Martin Scorsese’s epic biography of the life of Howard Hughes, is his love-letter to the old-Hollywood bio-pic. This is high-style filmmaking wrapped up in a tormented hero whose soaring flights of greatness are matched by the mortal pull of his devils, which Scorsese establishes (perhaps too patly) in a childhood prologue bathed […]
Michael Powell and Emeric Pressberger’s The Red Shoes (1948) has been called the greatest ballet film ever made. To girls of a certain age and a predisposition to the romance and beauty of ballet, this film is a touchstone that remains an impassioned favorite long after their invitation to the dance is over. To me, […]
Shutter Island (2009) opens, appropriately, shrouded in fog. Then our hero, Detective Teddy Daniels (Leonardo DiCaprio), cuts through the gray, standing on the prow of a tug boat chugging toward an isolated island hospital for the criminally insane. Daniels and his partner (Mark Ruffalo), city cops from an era of fedoras and trench coats and […]
“In the casino, the cardinal rule is to keep them playing and to keep them coming back. The longer they play, the more they lose, and in the end, we get it all.” Five years after his gangland masterpiece GoodFellas, Martin Scorsese reunited with writer Nicholas Pileggi and stars Robert De Niro and Joe Pesci […]
The Departed (2006), Martin Scorsese’s return to American urban crime cinema, became the biggest hit of his career and earned him his very first Academy Award for Best Director. Leonardo DiCaprio is Billy Costigan, a street thug working for South Boston crime boss Frank Costello (Jack Nicholson), and Matt Damon is Colin Sullivan, a rising […]
“You remind me that money won is twice as sweet as money earned.” Martin Scorsese’s The Color of Money (1986) hasn’t the ragged beauty and personal charge of Mean Streets, the ambition or the intensity of Taxi Driver, or the cinematic density of GoodFellas. Yet it is possibly his most accessible film and his answer […]
“You don’t pay for your sins in church. You pay for them on the street. All the rest is bullshit.” Mean Streets (1973) is not Martin Scorsese’s first film, but it is the film in which he came into his own. Passionate, energetic, stylistically inventive and personally driven, it is the first mature, full blooded “Martin […]
The Age of Innocence (1993) is not the only costume drama or historical picture that Martin Scorsese made but it is his only classical literary adaptation from the filmmaker that, all these years later, we still remember for edgy violence and cinematic energy. But even from the director of The Last Temptation of Christ, Kundun, […]
