The Departed (2006), Martin Scorsese’s return to American urban crime cinema, became the biggest hit of his career and earned him his very first Academy Award for Best Director. Leonardo DiCaprio is Billy Costigan, a street thug working for South Boston crime boss Frank Costello (Jack Nicholson), and Matt Damon is Colin Sullivan, a rising […]
Hugo (2011), Martin Scorsese’s first family film (it’s PG!) and his first engagement with 3D, is a love letter to the magic of cinema. Based on the novel by Brian Selznick, it is a tribute to early film pioneer George Méliès (played by Ben Kinsgley), a child’s adventure through a grown-up world of loss and […]
Taxi Driver (1976), Martin Scorsese’s incendiary masterpiece of alienation and anger and urban anxiety may be the most maverick vision of seventies American cinema. It is certainly one of the most visceral portraits of the American urban underbelly ever put on film, a movie bathed in blood as much as in light, and almost forty years […]
[originally written for the Film Noir Foundation] The Criterion Channel The Columbia Noir Collection that headlined the launch of The Criterion Channel is now gone, along with a few other choice noir classics spotlighted a few months back, but a new selection has arrived in the past couple of months. Did you miss On Dangerous Ground (1951) […]
The third season of Stranger Things, the Netflix Original tribute to eighties movies and pop culture, ushers the kids of Hawkins, Indiana, into a summer adventure with a new monster unleashed from the Upside Down and a new challenge: growing up. It’s also nice to see the girls getting a bigger role in the series. […]
“You don’t pay for your sins in church. You pay for them on the street. All the rest is bullshit.” Mean Streets (1973) is not Martin Scorsese’s first film, but it is the film in which he came into his own. Passionate, energetic, stylistically inventive and personally driven, it is the first mature, full blooded “Martin […]
“As far back as I can remember, I always wanted to be a gangster.” GoodFellas (1990), Martin Scorsese’s violent, dynamic, exhilarating adaptation of Nicholas Pileggi’s non-fiction book Wiseguy, about real-life wiseguy-turned-witness against the mob Henry Hill, exploded across screens in 1990 and was embraced as the first great American gangster movie since Coppola’s The Godfather […]
The Aviator (2004), Martin Scorsese’s epic biography of the life of Howard Hughes, is his love-letter to the old-Hollywood bio-pic. This is high-style filmmaking wrapped up in a tormented hero whose soaring flights of greatness are matched by the mortal pull of his devils, which Scorsese establishes (perhaps too patly) in a childhood prologue bathed […]
Shutter Island (2009) opens, appropriately, shrouded in fog. Then our hero, Detective Teddy Daniels (Leonardo DiCaprio), cuts through the gray, standing on the prow of a tug boat chugging toward an isolated island hospital for the criminally insane. Daniels and his partner (Mark Ruffalo), city cops from an era of fedoras and trench coats and […]
The Age of Innocence (1993) is not the only costume drama or historical picture that Martin Scorsese made but it is his only classical literary adaptation from the filmmaker that, all these years later, we still remember for edgy violence and cinematic energy. But even from the director of The Last Temptation of Christ, Kundun, […]
