Ingmar Bergman created The Magician (Sweden, 1958), in the midst of his most fertile and prolific period of filmmaking. It’s a chamber drama about a travelling medicine show fronted by a mute mesmerist (Max von Sydow) that enters into a battle of wills with the Minister of Health (Gunnar Björnstrand), a rationalist who considers the […]
In Wild Strawberries (Sweden, 1957), Ingmar Bergman takes that most venerable of modern genres, the road movie, and transforms it into the contemplative journey of an aging professor into his unexamined past. Victor Sjöström, one of the great Swedish director of the silent era as well as an actor (and one of Bergman’s heroes), was […]
Arguably the most famous of Ingmar Bergman’s films and certainly his most iconic, The Seventh Seal (Sweden, 1957) is Bergman at his most allegorical. Max von Sydow, young and blond and heroic, is a disillusioned knight returned from the Crusades in a state of spiritual desperation: his faith has been shaken by senseless death and […]
Shutter Island (2009) opens, appropriately, shrouded in fog. Then our hero, Detective Teddy Daniels (Leonardo DiCaprio), cuts through the gray, standing on the prow of a tug boat chugging toward an isolated island hospital for the criminally insane. Daniels and his partner (Mark Ruffalo), city cops from an era of fedoras and trench coats and […]
Hannah and Her Sisters (1986), Woody Allen’s biggest success of the eighties and his most popular film since Annie Hall, returns the director / writer to the same general territory of modern life and the challenges of sustaining romantic relationships, but this time within the context of family. Mia Farrow takes the title role of […]
