Sylvester Stallone has a spotty track record as a writer/director: passably effective at best, painfully misguided and lost in blind alleys of melodramatic kitsch as worst (Driven). He’s best at serving his own screen image (especially if already established by a previous filmmaker, as in the Rocky and Rambo sequels). With The Expendables (2010), he […]
Francis Ford Coppola described Rumble Fish (1983), his screen adaptation of S.E. Hinton’s young adult novel, as “an art film for teenagers.” He shot it right after making The Outsiders (1982), also adapted from a Hinton novel, but where that was a lush, operatic tale, Coppola made Rumble Fish in stylized black and white, like […]
In Sin City (2005), Robert Rodriguez pulls out all stylistic stops to translate the most graphic of graphic novels—Frank Miller’s Sin City tales, all hard-boiled tributes to pulp fiction and film noir—from two-dimensional pages to free-floating big screen action, and he drafted Miller to help master not just the look, but whole hard-boiled extremism. Men […]
