Charlton Heston and Janet Leigh in the film by Orson Welles

‘Touch of Evil’ – Orson Welles on the border on Netflix

Orson Welles’ baroque border town murder mystery Touch of Evil (1958/1998) is a wild masterpiece, a sleazy, grimy, jittery, and ultimately dazzling work of cinematic magic. It’s considered the last great film noir and the bookend to the true noir era. It was also Welles’s last attempt at a career in Hollywood before he packed […]

Peter Bogdanovich, John Huston in Orson Wells' "The Other Side Of The Wind"

What to stream: Orson Welles’ ‘The Other Side of the Wind,’ Julia Roberts in ‘Homecoming,’ end of ‘House of Cards’

Here’s what’s new and ready to stream now on Netflix, Amazon Prime, Hulu, HBO Now, Showtime Anytime, FilmStruck, video-on-demand, and other streaming services … The Other Side of the Wind (2018, not rated), starring John Huston as an aging filmmaker trying to stay relevant in the changing landscape of 1970s cinema, was left unfinished and […]

Orson Welles is Harry Lime on Carol Reed's classic

Continental noir: ‘The Third Man’ on Netflix

Carol Reed’s continental film noir The Third Man (1949), written by Graham Greene and starring Joseph Cotten as a cynical American pulp novelist playing detective in the rubble-strewn underworld of post-war Vienna and Orson Welles as a charming but ruthless black marketeer, is one of the true classics. The film is directed by Reed but […]

Martin Scorsese and Michael Henry Wilson present this documentary

‘A Personal Journey with Martin Scorsese Through American Movies’ on Amazon Prime Video

A Personal Journey with Martin Scorsese Through American Movies (1995) is both the title and the description of this idiosyncratic production made as part of the BFI’s A Century of Cinema celebration. The assignment was to make a 52-minute program. Scorsese and his collaborator Michael Henry Wilson overshot their target length by quite a distance: […]

Orson Welles’s ‘Othello’ on Shout! Factory TV and Fandor

Orson Welles’ 1952 masterpiece Othello, his shoestring-budgeted adaptation of the Shakespeare tragedy, is an example of creative will overcoming physical liability. Using primitive (by Hollywood standards) equipment and a rotating crew, and interrupting his shoot to raise money, Welles shot in spurts over three years all over Italy and Morocco and matched images shot in […]