This Australian horror fantasy is one of the best and most original horror films in years, raising goosebumps with old-fashioned scares, relatable characters, and a provocative psychological foundation.
The title of 78/52: Hitchcock’s Shower Scene (2017), a documentary on the legendary sequence in Alfred Hitchcock’s 1961 classic Psycho, refers to the 78 camera set-ups and 52 cuts in the three-minute scene, an astounding attention to detail to a brief sequence that shocked American audiences with transgressions suggested but not actually shown on screen. […]
A self-described “A Rock and Roll Fable” from “another time, another place,” I think of Walter Hill’s Streets of Fire (1984) as a rock and roll western dropped into the urban badlands of a brick and neon noir. It opens on what appears to be the 1950s frozen in time, a working class neighborhood forgotten […]
Hype! (1996), Doug Pray’s look at the Seattle music scene explosion of the eighties and nineties, takes the hype with bemused humor but treats the music with respect. Looking behind the media over-exposure and beyond the grunge sound, Pray reveals the musical legacy that inspired bands like Nirvana, Pearl Jam, and Mudhoney and the test […]
A teenage girl’s long, eventful night on the town becomes a fantastical adventure in Night is Short, Walk on Girl (Japan, 2017), an animated feature from Japanese filmmaker Masaaki Yuasa. A high school sophomore, known only as “The Girl with Black Hair” (or Otome), joins a pair of harmless con artists for a night on […]
A surprise Oscar nominee in the animated feature category, Mirai (Japan, 2018) is the sweet, imaginative tale of a four-year-old boy who becomes jealous of his newborn sister Mirai when she becomes the center of attention in the household while his parents grapple with new strains that the growing family puts on the household. Mother […]
Ginger Snaps (2001) is one of the best horror films of the new millennium that hasn’t really gotten its due. Gloomy teenage goth girls Brigitte (Emily Perkins), “the frumpy one,” and Ginger (Katharine Isabelle), “the pretty one,” are more than sisters. Only a year apart, and both “late” in developing, they have bonded as best […]