This South Korean thriller combines political commentary, dysfunctional family satire, and earnest emotional pathos with the conventions of seventies drive-in movies and Japanese monster movies.
Kim Jee-won’s The Good, the Bad, the Weird (South Korea, 2008) is a self-proclaimed “Oriental Western.” That about pegs this treasure hunt right out of The Good, the Bad and the Ugly by way of Peking Opera Blues and Dragon Gate Inn, set in thirties Manchuria and filled with Korean expatriates, Chinese bandits, Japanese occupiers, […]
Here’s what’s new and ready to stream now on Netflix, Amazon Prime, Hulu, HBO Now, video-on-demand, and other streaming services … Greta Gerwig directs and adapts “Little Women” (2019, PG) and her take on Louisa May Alcott’s beloved novel brings a modern perspective to the lives of women in Civil War-era America. Saoirse Ronan […]
Kim Jee-woon, director of such hits as hits The Good the Bad the Weird and I Saw the Devil, announced his return to South Korea after his Hollywood tryout with The Age of Shadows (South Korea, 2016, not rated, with subtitles), a sprawling spy thriller set in the underground resistance to the Japanese occupation of […]