There are two kinds of people, my friend. Those who love Sergio Leone’s The Good, the Bad and the Ugly (1966) and those who resist the machismo and gallows humor of what is arguably the definitive spaghetti western. Leone’s first real attempt at mythologizing his vision of the American west (shot, of course, in the […]
Requiescant (Italy, 1967) is a revolutionary allegory in a spaghetti western, a genre that proved to be fertile ground for socio-political commentary such filmmakers as Sergio Solima (Face to Face, 1967) and Damiano Damiani (A Bullet for the General, 1966). In a 2010 interview, filmmaker Carlo Lizzani remarked that the Italian government used the leverage […]
Day of Anger (Italy, 1967) is another reminder of why Lee Van Cleef became a major spaghetti western star. He doesn’t just dominate Day of Anger, he owns the film as a Frank Talby, a smiling gunman who rides into the thoroughly corrupt town of Clifton, Arizona (which, of course, is actually Almería, Spain) to […]
Compañeros (1970) is an ironic title, but then as a spaghetti western—a genre steeped in mercenaries and con men and double crosses—it would have to be. Swedish gun runner Yodlaf (Franco Nero), in Mexico in the heat of the revolution to sell his weapons to the highest bidder, and hot-headed Mexican peasant turned revolutionary officer […]
Once Upon a Time in the West (1968) puts the opera into “horse opera.” Leave it to the Italians to put genuine operatic dimension into the great American saga of western expansion. Sergio Leone’s loving tribute to the myth of the American West leaves the cool, cruel mercenary world of the Clint Eastwood Dollar films […]
