Ride the High Country (1962), the second feature by Sam Peckinpah—and his first unqualified masterpiece—is a laconic tale about the end of the frontier that both celebrates and deconstructs the romantic view of old west nobility and heroism. He casts two old hands at the genre—Randolph Scott and Joel McCrea—as old friends and veteran lawmen […]
The Man Who Would Be King (1975) – John Huston originally wanted to make a film of Rudyard Kipling’s grand adventure in the late 1950s with Humphrey Bogart and Clark Gable in the leading roles. It would’ve made a hell of a picture. And, as a matter of fact, it did, only with Sean Connery […]
Kick-Ass (2010) is a comic book movie with a killer premise: what if regular people in the real world became costume vigilantes like the superheroes in comic books? Based on the uber-violent comic by Mark Millar and John Romita Jr., this film tosses a high school teenager (Aaron Johnson) into a crime-fighting culture he isn’t the […]
Set almost entirely in an apartment building in the slums of Jakarta, the extreme action film The Raid: Redemption (Indonesia, 2011) has a reputation as one of the fiercest, most brutal crime thrillers around. It’s a well-earned reputation. Directed by Gareth Huw Evans, a Brit (actually Welsh) in Asia, and starring martial arts professionals in […]
Back to Burgundy (France, 2017), the sweet and sentimental drama by French filmmaker Cédric Klapisch, is in many ways a gorgeous travelogue of the winemaking life through the seasons of a family vineyard set against the gentle melodrama of three siblings who inherit their father’s legacy along with a big inheritance bill. Jean (Pio Marmaï), […]
Donnie Darko (2001) – Donnie Darko (Jake Gyllenhaal) is an otherwise normal rebellious, angry kid who slumps and frumps his way through the confusion of his life. He just happens to have a little more confusion than the most of us, much of it caused by visitations from a demonic looking six-foot rabbit named Frank […]
In the 2000s, Will Ferrell had an enviable run of hit comedies. To my mind, Talladega Nights: The Ballad of Ricky Bobby (2006) is the funniest of the batch. Set in the NASCAR culture, Ferrell plays a race car driver with two first names who outraces his own intellect in a comedy that features neither […]
Can a comic book superhero movie tell a human story? Logan (2017) makes the case that the genre is not limited to spectacle (though this film does offer some accomplished—and violent—action scenes), end of the world stakes, or world-building chapters in a massive franchise. Set in the near future of 2029, which is a lot […]
The Witch (2015) is a primal horror film rooted in fear and superstition, and there is no shortage of either in early 17th century New England, where a devout Puritan father has taken his family to start a new life. Adding to the general hardship of British village folk carving a new colony out of […]
Wes Anderson has made a career exploring the childhood neuroses that keep adult characters in an arrested state of adolescence and stasis. It’s been a lively career with creatively energetic high points like Rushmore and The Royal Tennenbaums but an approach with diminishing returns. Until Fantastic Mr. Fox, a film that refracted his portraits of dysfunctional families […]
