In 2010, Iranian filmmaker Jafar Panahi was arrested and charged for “Propaganda against the Iranian government.” His sentence: he was forbidden to leave Iran or make any films for 20 years. 3 Faces (Iran, 2018) is the fourth feature he has made since the sentence was passed. And once again Panahi plays himself on screen, […]
Wind River (2017) isn’t actually the directorial debut of Taylor Sheridan, the Oscar-nominated screenwriter of Siccario and Hell And High Water, but it may as well be. It most certainly is his film (unlike his forgotten 2011 horror film, Vile) and, like his earlier screenplays, a drama of frontier justice in the modern world (when […]
Battle Royale (Japan, 2000), the gleefully gruesome splatter satire of teenage nihilism, adult paranoia, and social sadism, was released in Japan in 2000 to big success and instant cult status. It was a 21st century version of a fifties youth gang drama, rooted in the adult panic at the sudden rise of youth violence in […]
Blancanieves (2009), an inventive retelling of Snow White as a silent-movie melodrama in the 1920s world of bullfighting royalty and flamenco style in Spain, stirs in grand melodrama, circus fantasy, and toreador hero worship with a mix of silent film conventions and contemporary storytelling. We’re talking the same sort of modern silent film as The […]
Jackie Brown (1997) – “Amateurs borrow, professionals steal,” goes the maxim, and Quentin Tarantino steals like a pro. Where directors of the previous generation peppered their films with classic cinematic quotes, Tarantino plunders the films of his formative years for ideas—mostly B-movies and exploitation films about cars and capers and criminals—and riffs on them with […]
Steven Soderbergh’s Che (2008) is both two features and one work, a 4 ½-hour production that carves out what Soderbergh, producer/star Benicio Del Toro, and screenwriter Peter Buchman see as the two defining periods in the life of Ernesto Che Guevara: the Cuban Revolution and the Bolivian expedition. Except for a brief scene where Guevara […]
Pixar auteur John Lasseter gave new life to animated cinema with his CGI revolution but he never forgot the old-school art of hand drawn animation that made Disney’s reputation and he courted John Musker and Ron Clements to make the studio’s first new “princess” film since their own The Little Mermaid and Aladdin. The Princess […]
Eric Rohmer’s unique retelling of the tale of Perceval (France, 1978) is a great and glorious anomaly in the career of the nouvelle vague filmmaker. Adapted by Rohmer from the 12th century book by Cretien de Troyes, it’s a strange, sophisticated mix of ancient theater, medieval painting, music and prose in a beautifully stylized film […]
Caddyshack (1980), the definitive slobs versus snobs comedy, is ostensibly the story of a working-class golf caddy (Michael O’Keefe) at an exclusive country club trying to land a scholarship and plan his future, but his coming-of-age story becomes just another thread in the comic chaos. Chevy Chase, fresh off Saturday Night Live, takes top billing […]
“You don’t pay for your sins in church. You pay for them on the street. All the rest is bullshit.” Mean Streets (1973) is not Martin Scorsese’s first film, but it is the film in which he came into his own. Passionate, energetic, stylistically inventive and personally driven, it is the first mature, full blooded “Martin […]
