The Departed (2006), Martin Scorsese’s return to American urban crime cinema, became the biggest hit of his career and earned him his very first Academy Award for Best Director. Leonardo DiCaprio is Billy Costigan, a street thug working for South Boston crime boss Frank Costello (Jack Nicholson), and Matt Damon is Colin Sullivan, a rising […]
The Judd Apatow factory refreshed the coming-of-age comedy (for all ages of adolescent men) in comedies like Knocked Up, Superbad, and Forgetting Sarah Marshall before stretching itself thin (that’s my best explanation for Drillbit Taylor and Step Brothers). One of the smartest things he did was to seek out directors not normally associated with his […]
Nicolas Cage is perfectly cast in the devious black comedy Vampire’s Kiss (1989) as a New York literary agent whose latest one night stand lands him in bed with vampire Jennifer Beals, who takes a big, bloody bite out of his identity. The emotionally unstable executive develops an aversion to sunlight, a fear of crosses, […]
Ex Machina (2014) plays the man-vs.-machine story as a chamber drama. Domhnall Gleeson is the socially naïve computer programmer Caleb who wins a company contest to spend a weekend in the private retreat of visionary company CEO Nathan (Oscar Isaac), a software genius who can’t wait to show Caleb his new project: a sophisticated artificial intelligence […]
Mystic River (2003) – Three adolescent boys write their names in the wet cement of a newly poured sidewalk patch in their Boston neighborhood, but the last boy is interrupted, his name unfinished when he’s taken away in a car by two men who purport to be cops but are child molesters who torture him […]
20th Century Women (2016) stars Annette Bening as Dorothea, a single mother of a teenage boy (Lucas Jade Zumann) determined to give him good life lessons with a little help from her friends. Elle Fanning is her son’s best friend, who escapes her troubled family and is warmly welcomed Dorothea, and Greta Gerwig and Billy […]
In 2010, Iranian filmmaker Jafar Panahi was arrested and charged for “Propaganda against the Iranian government.” His sentence: he was forbidden to leave Iran or make any films for 20 years. 3 Faces (Iran, 2018) is the fourth feature he has made since the sentence was passed. And once again Panahi plays himself on screen, […]
Wind River (2017) isn’t actually the directorial debut of Taylor Sheridan, the Oscar-nominated screenwriter of Siccario and Hell And High Water, but it may as well be. It most certainly is his film (unlike his forgotten 2011 horror film, Vile) and, like his earlier screenplays, a drama of frontier justice in the modern world (when […]
Battle Royale (Japan, 2000), the gleefully gruesome splatter satire of teenage nihilism, adult paranoia, and social sadism, was released in Japan in 2000 to big success and instant cult status. It was a 21st century version of a fifties youth gang drama, rooted in the adult panic at the sudden rise of youth violence in […]
Blancanieves (2009), an inventive retelling of Snow White as a silent-movie melodrama in the 1920s world of bullfighting royalty and flamenco style in Spain, stirs in grand melodrama, circus fantasy, and toreador hero worship with a mix of silent film conventions and contemporary storytelling. We’re talking the same sort of modern silent film as The […]
