Carl Th. Dreyer's 19322 horror classic

‘Vampyr’ – Classic horror as tone poem on HBO Max and Criterion Channel

Vampyr (Denmark, 1932) is a horror movie as tone poem. An early sound film shot with a distinctive and evocative silent film aesthetic, dialogue is sparse and large blocks of text (either intertitles or pages from a book of vampire lore) provide the exposition. And it’s eerily abstract film with vague motivations and ethereal imagery […]

Adèle Exarchopoulos and Léa Seydoux star in 'Blue is the Warmest Color,' directed by Abdellatif Kechiche

‘Blue Is the Warmest Color’ on VOD and Blu-ray/DVD

Filmmaker Abdellatif Kechiche explores the lives of outsiders looking for their place in Blue is the Warmest Color (France, 2013) an intimate love story based on a graphic novel. Thanks to Academy rules for foreign films, it wasn’t eligible for an Oscar nomination due to the timing of its French theatrical release. But it took home […]

Matt Dillon, Mickey Rourke, Diane Lane, and Dennis Hopper star in Francis Ford Coppola's adaptation of S.E. Hinton's novel.

‘Rumble Fish’ – “An art film for teenagers” on Peacock

Francis Ford Coppola described Rumble Fish (1983), his screen adaptation of S.E. Hinton’s young adult novel, as “an art film for teenagers.” He shot it right after making The Outsiders (1982), also adapted from a Hinton novel, but where that was a lush, operatic tale, Coppola made Rumble Fish in stylized black and white, like […]

Rita Hayworth, Glenn Ford, and George Macready, directed by Charles Vidor

Rita Hayworth is ‘Gilda’ on Criterion Channel

Rita Hayworth is at her most iconic as the forties sex-bomb in Gilda (1946), a film noir classic co-starring Glenn Ford as Johnny Farrell, an American tough guy in Buenos Aires, and George Macready as Ballin Mundson, the owner of a nightclub and illegal casino who hires Johnny as his club manager. Just as in […]

Patricia Neal, John Garfield, and Juano Hernandez in a film by Michael Curtiz

John Garfield hits ‘The Breaking Point’ on Criterion Channel

The Breaking Point (1950), the second of three big screen adaptations of Ernest Hemingway’s To Have and Have Not, stars John Garfield as Harry Morgan, the role that Humphrey Bogart played in the original. The Howard Hawks film took great liberties with Hemingway’s story. This version is more faithful but takes its own liberties. Harry […]

Barbara Stanwyck, Wendell Corey and Walter Huston star in Anthony Mann's western

Barbara Stanwyck in ‘The Furies’ on Hulu

The Furies (1950), the second western from genre giant Anthony Mann (after Devil’s Doorway) and his first big-budget, large-canvas production after an apprenticeship in low-budget thrillers, is a genre hybrid: a psychological western by way of a Gothic melodrama, with a dark, shadowy style right out of Mann’s earlier film noirs. Barbara Stanwyck is Vance […]

Juliette Binoche, Julie Delpy, and Irene Jacob star in Krzysztof Kieslowski 's Blue, White, and Red trilogy

‘Three Colors’ – Kieslowski’s sublime trilogy on The Criterion Channel

The three colors are blue, white and red. They are the colors of the French flag, of course, and they are appropriated by director Krzysztof Kieslowski along with the themes of the motto they more or less represent: liberty, equality, fraternity. But the films Three Colors: Blue (1993), Three Colors: White (1993), and Three Colors: […]

František Vláčil directs this epic from Czechoslovakia

‘Marketa Lazarova’ – Czech epic on The Criterion Channel and Kanopy

Marketa Lazarova (Czechoslovakia, 1967), an epic based on one of the revered masterpieces of Czech literature (considered unfilmmable by many), was voted the greatest Czech film ever made in a 1998 poll of Czechoslovakian film critics and professionals. Yet it is all but unknown in the U.S., rarely revived and never on home video before […]

Sterling Hayden and Sam Jaffe star in the film noir from John Huston

John Huston’s ‘The Asphalt Jungle’ on VOD and Blu-ray/DVD

The Asphalt Jungle (1950) (Criterion, Blu-ray, DVD) is one of John Huston’s rare forays into the genre that would later be called film noir. His first, The Maltese Falcon (1941), helped set the template of the PI noir. Ten years later, working from an adaptation of the caper novel by W.R. Burnett scripted in collaboration […]