‘Dracula’s Daughter’ – the elegant offspring on Peacock

Dracula’s Daughter (1936), Universal’s cut rate sequel to Dracula sans Bela Lugosi, turns out to be an unexpectedly sleek and stylish movie. Gloria Holden, tall, dark, and continental, is the aristocratic title character fighting her nature and seeking a cure for her affliction. A sympathetic psychiatrist (Otto Kruger) encourages her to “face her fears,” but […]

‘The Bride of Frankenstein’ – a delirious sequel on Peacock and Criterion Channel

Boris Karloff wrings even more pathos from his plight as the misunderstood monster and Elsa Lanchester’s hissing, birdlike performance as the bride made her an instant icon.