Robert Altman turns the western myth into a metaphor for the fantasy of the American Dream colliding with the power of big business.
No Subtitles Necessary: Laszlo and Vilmos (2012) profiles friends and fellow cinematographers László Kovács and Vilmos Zsigmond, who fled Hungary in 1956 and worked their way from exploitation films to shooting some of the defining American films of the seventies and eighties. Beginning with Easy Rider (photographed by Kovács), they helped redefine the way movies […]
With the news that the Vilmos Zsigmond, the great cinematographer of McCabe and Mrs. Miller, Deliverance, Close Encounters of the Third Kind, The Deer Hunter, and many other defining American films of the seventies, passed away this week, I’ve revived this review of an early Zsigmond feature, a lost American indie from the sixties discovered early this century. Produced in […]