Here’s what’s new and ready to stream now on Netflix, Amazon Prime, Hulu, HBO Now, Showtime Anytime, FilmStruck, video-on-demand, and other streaming services … Sandra Oh is a bored, whipsmart MI-5 agent assigned to track down a brilliant, unpredictable Russian assassin (scene stealer Jodie Comer) in Killing Eve (2018, PG-14), a clever, compelling, mordantly funny […]
Firefly: Complete Series, Joss Whedon’s short-lived foray into sci-fi television, was (purposely or not) sabotaged by Fox when it finally premiered on network TV. The 14 episodes (that’s counting the movie-length pilot as a single episode) were rearranged by the network brain trust, completely disrupting the carefully constructed narrative that he wove through the episodes […]
Greek filmmaker Yorgos Lanthimos describes his English language debut The Lobster as his film about love (following Dogtooth, his film on life, and Alps, on death). Which is not necessarily to call it a love story. It is, in its own way, but it just as much about the social expectations of love and marriage […]
Rolling Stone once called The Big Lebowski (1998) “the most worshipped comedy of its generation.” I like to think of it as the Book of Duderonomy, the lost gospel of the post-modern Testament. Jeff Bridges is brilliant as the Dude, one of the most strangely centered individuals in the movies. This bowler/stoner/free spirit is mistaken […]
Here’s what’s new and ready to stream now on Netflix, Amazon Prime, Hulu, HBO Now, Showtime Anytime, video-on-demand, and other streaming services … Alice Rohrwacher won the screenwriting prize at the Cannes Film Festival for Happy as Lazzaro (Italy, 2018, PG-13, with subtitles), a modern parable of a holy innocent (first-time actor Adriano Tardiolo) that […]
A Most Violent Year (2014) should have been an Oscar contender. Written and directed by J.C. Chandor (Margin Call) and set in the crime-ridden culture of early 1980s New York City (which was the most violent year on record in the city’s history), smart, shadowy tribute to the crime dramas of the seventies and early eighties, […]
John Boorman had only one feature to his credit, the rock and roll lark Catch Us If You Can with the Dave Clark Five, when he came to Hollywood to direct the one-of-kind thriller Point Blank (1967). Boorman’s film, based on Richard Stark’s novel “The Hunter,” shuffles the story of a gunman named Walker (Lee […]
In Scary Movie 3 (2003), David Zucker (co-creator of the Airplane!, the godfather of all movie spoofs) took over the horror movie lampoon franchise previously under the control of the Wayan Brothers and rejuvenated it. Where the Wayans had a mean-spirited edge to their rude and raunchy humor, Zucker plays it in a cartoonish, anything […]
“You don’t pay for your sins in church. You pay for them on the street. All the rest is bullshit.” Mean Streets (1973) is not Martin Scorsese’s first film, but it is the film in which he came into his own. Passionate, energetic, stylistically inventive and personally driven, it is the first mature, full blooded “Martin […]
Harold and Lillian Michelson were Hollywood’s best-kept secret for decades. Harold Michelson, who passed away in 2007, was an art director and storyboard artist on some of the greatest films ever made. Lillian Michelson ran a Hollywood research library that was an essential resource for hundreds of productions. Their work was strictly behind the scenes […]
