Before the 1950s, there were no teenagers in the movies, at least not as such. There were adults and children, and that awkward age in between was largely seen as, well, that awkward period in between. You had kids on the cusp, troubled young adults, and juvenile delinquents, but the teenager, with his / her […]
“I’m the luckiest kid in the world,” cheers adolescent Hogarth, halfway to sci-fi heaven in the hand of a friendly ten story robot— a clanking metal man who acts like a combination little brother, big brother, and playful puppy dog all rolled into one magnificent structure who looks like he stepped off a vintage cover […]
Always one of America’s most undervalued directors, Clint Eastwood proved himself American cinema’s national treasure in the third act of his impressive career. Million Dollar Baby (2004), an understated, unpretentious, powerfully told drama, adapted from F.X. Toole stories by Paul Haggis, earned Eastwood his second round of Oscars for Best Director and Best Picture (his […]
“I know what you’re thinking. Did he fire six shots, or only five?” Clint Eastwood was a western icon for the fistful of spaghetti westerns and cynical American copycats. When he strapped on his .44 Magnum to stride the streets of San Francisco as Inspector Harry Callahan, known to the squad as “Dirty Harry,” Eastwood […]
Christopher Nolan’s Inception (2010), a caper film that heists dreams instead of treasure, is surely the most cerebral action thriller to become a blockbuster. It’s a genre film that reshuffles the rules and lays them out in a mind-bending pattern. Playing out on multiple planes of dream reality, it’s also another Nolan film to completely […]
Zach Snyder delivers perhaps the most faithful adaptation of Watchmen (2009, R), the landmark graphic novel by writer Alan Moore (uncredited on screen, as is his tradition) and artist Dave Gibbons, that anyone could hope for. Moore’s story reimagines the history of comic book superheroes in the real world of global politics and complicated (and […]
The 1960s were full of big budget wartime caper-style films—The Great Escape, Where Eagles Dare, Kelley’s Heroes, just to name a few—but none of them have the brawny machismo and wily bad boy gusto of The Dirty Dozen (1967), Robert Aldrich’s testosterone-fueled tough guy classic. Lee Marvin is the hard-as-nails Major who is “volunteered” to […]
“As far back as I can remember, I always wanted to be a gangster.” GoodFellas (1990), Martin Scorsese’s violent, dynamic, exhilarating adaptation of Nicholas Pileggi’s non-fiction book Wiseguy, about real-life wiseguy-turned-witness against the mob Henry Hill, exploded across screens in 1990 and was embraced as the first great American gangster movie since Coppola’s The Godfather […]
If there is a cooler, tougher, more shrewd and self-sufficient private detective in the movies than Humphrey Bogart’s incarnation of Sam Spade in John Huston’s note-perfect adaptation of Dashiell Hammett’s The Maltese Falcon (1941), I’ve yet to see him in action. The 1941 classic wasn’t the first screen version of Hammet’s iconic novel, but it […]
Enter the Dragon (1973) – After years of supporting roles in Hollywood, American citizen Bruce Lee became a star in Hong Kong with a handful of hard-edged martial arts thrillers. He returned to conquer his adopted homeland with this American/Hong Kong co-production, a glorified B-movie mix of kung-fu fighting (choreographed by Lee himself) and James […]
