A Most Wanted Man is the final film completed by Philip Seymour Hoffman before his untimely death in February and that alone is reason enough to see the film, adapted from the post 9/11 novel by John le Carré and directed by Anton Corbijn, a music video veteran who becomes more accomplished with each feature. […]
The African desert, WWII, and romance… no doubt about it, The English Patient (1996) is a Casablanca for the 90s, directed with sweep, elegance, and grand passions by Anthony Minghella from his screenplay adaptation of Michael Ondaatje’s novel. Ralph Fiennes, scarred by fire and buried under bandages like an Egyptian mummy, is the mysterious patient […]
Here’s what’s new and ready to stream now on Netflix, Amazon Prime, Hulu, HBO Now, Showtime Anytime, FilmStruck, video-on-demand, and other streaming services … Willem Dafoe earned an Oscar nomination for his performance as the manager of a low-rent hotel in The Florida Project (2017, R), a powerful and moving look at the life of […]
I’m not sure how I manage to keep my simultaneous fascination with /repulsion for Lars von Trier in balance, but it’s there with a vengeance in Antichrist (Denmark, 2009), another provocation that is at once beautiful and perverse, personal and cynical, and filled with his sour vision of the emotional small-mindedness (small-heartedness?) of the human […]
Inside Man (2006) isn’t the kind of film you expect from Spike Lee, who has always favored conversation over action. That’s part of the pleasure. It’s a high concept heist thriller starring Clive Owen as the brains behind a bank robbery turned hostage situation and Denzel Washington as the presiding NYPD Detective on the scene, […]
Superhero movies have been a big screen staple ever since Superman first flew through his first animated adventure in 1940. But for all the glory of Richard Donner’s majestic 1978 Superman and the kooky dark weirdness of Tim Burton’s Batman films, it took comic book fan-turned-fan-boy director Sam Raimi to capture the graphic thrills and […]
Paul Schrader made his mark on American cinema revealing the scarred psyches of American men trying to reconcile the contradictions of masculine fantasy and social reality, from his screenplays for Taxi Driver and Raging Bull to his own movies, beginning with Blue Collar. Affliction (1998), adapted from the novel by Russell Banks, is his most […]
John Wick (2014) is the kind of action movie that Hollywood rarely makes anymore: simple, streamlined, with action scenes that rely on physical rather than computer generated elements. Keanu Reeves plays the titular character, a former assassin for the Russian mob (led by Michael Nyqvist) who is roused from retirement when a group of thugs […]
A self-described “A Rock and Roll Fable” from “another time, another place,” I think of Walter Hill’s Streets of Fire (1984) as a rock and roll western dropped into the urban badlands of a brick and neon noir. It opens on what appears to be the 1950s frozen in time, a working class neighborhood forgotten […]
I’m not sure how I manage to keep my simultaneous fascination with /repulsion for Lars von Trier in balance, but it’s back with a vengeance in Antichrist (2009), a provocation that is at once beautiful and perverse, personal and cynical, and filled with his sour vision of the emotional small-mindedness (small-heartedness?) of the human animal. […]
