Spring Breakers (2012) is not your traditional fun in the sun spring break movie. But then you wouldn’t expect that from Harmony Korine, the self-appointed agent provocateur of American indie cinema confrontation, even with a cast that includes Disney Channel sweethearts Selena Gomez and Vanessa Hudgens. They play two of the four college girls (Ashley […]
Rare Exports: A Christmas Tale (Finland, 2010) comes from the land of the original Father Christmas but he’s no cuddly old man who hands out presents at Christmas. This Santa Claus, who has been buried in a man-made glacier like a wooly mammoth, is a child-snatching demon who punishes the naughty with the help of […]
A Most Wanted Man (2014) is the final film completed by Philip Seymour Hoffman before his untimely death in 2014. That alone is reason enough to see the film, adapted from the post 9/11 novel by John le Carré and directed by Anton Corbijn, a music video veteran who becomes more accomplished with each feature. […]
The Thieves (South Korea, 2012) is Asia’s answer to the Ocean’s films, a sleek, snappy heist movie with plenty of working parts, eccentric personalities, and convoluted plotlines complicated even more by a confusing flashback structure more entertaining than elucidating and more twists than you can easily track. The basic premise brings together two separate crack […]
The original The House of Cards Trilogy, a series of BBC mini-series produced in the 1990s, stars Ian Richardson as Francis Urqhart (F.U. to his friends), the Machiavellian Chief Whip of Britain’s conservative party and the most seductively ruthless politician you’ve ever had the pleasure to watch claw his way to the top (over the […]
The Neon Demon (2016) – “I can’t sing, I can’t dance, I can’t write… no real talent. But I’m pretty, and I can make money off pretty.” We first meet Jesse (Elle Fanning), a 16-year-old girl from Middle America looking to leverage her youth and innocent beauty into a modeling career in Los Angeles, made […]
Michael Powell lays bare the cinema’s dark voyeuristic underside in his disturbing psychodrama Peeping Tom (1960). Handsome young Karlheinz Böhm (billed as Carl Boehm) is Mark Lewis, a shy, socially clumsy young man shaped by the psychic scars of an emotionally abusive parent, in this case a psychologist father (Michael Powell in a perverse cameo) […]
George Franju’s perverse and poetic Eyes Without a Face (France, 1959) is at once lyrical, haunting, and deviant, an elegantly horrifying classic of sadism and shadowy grace. A famed plastic surgeon (Pierre Brasseur), wracked with guilt over disfiguring his once beautiful daughter (Edith Scob) in car wreck, lures young woman to his secluded mansion with […]
You could call Train to Busan (South Korea, 2016) “Zombies on a Train”—it certainly makes a catchy logline and it frames the premise accurately and succinctly—but it reduces this fleet, fierce, unexpectedly human thriller to a mere gimmick. Apart from the slyly eerie prologue, the film opens without any hint of the viral rampage to […]
The Wailing (South Korea, 2016) is a thriller that takes a dark turn into supernatural horror. Kwak Do-won is Jong-goo, a somewhat dim underachiever cop who is way over his head investigating a double homicide in his little town. Jong-goo isn’t too bright but he’s a doting father to his smart little girl and there’s […]
