The original The House of Cards Trilogy, a series of BBC mini-series produced in the 1990s, stars Ian Richardson as Francis Urqhart (F.U. to his friends), the Machiavellian Chief Whip of Britain’s conservative party and the most seductively ruthless politician you’ve ever had the pleasure to watch claw his way to the top (over the […]
The Neon Demon (2016) – “I can’t sing, I can’t dance, I can’t write… no real talent. But I’m pretty, and I can make money off pretty.” We first meet Jesse (Elle Fanning), a 16-year-old girl from Middle America looking to leverage her youth and innocent beauty into a modeling career in Los Angeles, made […]
Michael Powell lays bare the cinema’s dark voyeuristic underside in his disturbing psychodrama Peeping Tom (1960). Handsome young Karlheinz Böhm (billed as Carl Boehm) is Mark Lewis, a shy, socially clumsy young man shaped by the psychic scars of an emotionally abusive parent, in this case a psychologist father (Michael Powell in a perverse cameo) […]
George Franju’s perverse and poetic Eyes Without a Face (France, 1959) is at once lyrical, haunting, and deviant, an elegantly horrifying classic of sadism and shadowy grace. A famed plastic surgeon (Pierre Brasseur), wracked with guilt over disfiguring his once beautiful daughter (Edith Scob) in car wreck, lures young woman to his secluded mansion with […]
You could call Train to Busan (South Korea, 2016) “Zombies on a Train”—it certainly makes a catchy logline and it frames the premise accurately and succinctly—but it reduces this fleet, fierce, unexpectedly human thriller to a mere gimmick. Apart from the slyly eerie prologue, the film opens without any hint of the viral rampage to […]
The Wailing (South Korea, 2016) is a thriller that takes a dark turn into supernatural horror. Kwak Do-won is Jong-goo, a somewhat dim underachiever cop who is way over his head investigating a double homicide in his little town. Jong-goo isn’t too bright but he’s a doting father to his smart little girl and there’s […]
The ghost story The Mimic (South Korea, 2017) draws its premise a Korean myth of a tiger that mimics human voices to lure its victims into the forest, but it goes its own way from there. Hee-yun (Yum Jung-ah), still grieving over the unsolved disappearance of her son, moves from the city to her rural […]
The Host (2006), Bong Joon-ho’s South Korean monster movie hit, is neither a parody, subversion, or revision of the often campy horror movie genre. It stirs a stew of genre conventions, from political commentary to dysfunctional family satire to earnest emotional pathos, into an often thrilling monster movie as indebted to the B-movies of seventies American […]
Tucker & Dale vs. Evil (2010) turns a classic horror movie trope– the good looking group of city kids tormented by grimy rednecks and hermits in the backwoods – and turns it inside out, creating not so much a horror comedy as a comedy where the clueless characters think they’re in a horror film and […]
Ex Machina (2014) plays the man-vs.-machine story as a chamber drama. Domhnall Gleeson is the socially naïve computer programmer Caleb who wins a company contest to spend a weekend in the private retreat of visionary company CEO Nathan (Oscar Isaac), a software genius who can’t wait to show Caleb his new project: a sophisticated artificial intelligence […]
